Tag Archives: AC360

Dropping The Mask.

Momentum is a force all its own. You can’t be a force greater; momentum will take you and you will move with it. This is where everybody in attendance at Erie International Airport found themselves, Tuesday night.

From the moment the late plane finally coasted into position, through ’til the slicked back, veneered, top coated figure scored by his trademark red tie emerged and strode down toward the crowd, every person present was caught in his torque and draft. The presence of Donald J. Trump carried itself, and everybody on site with it.

He’d been rambling off script for longer than usual; people had been roaring and cheering and carrying on; but, about thirty four minutes in, something happened – a moment so pivotal so as to decompress the entire space. When his truth came out.

He’d made several references to Erie, near the beginning – to uproarious cheers. But, this time, in the blink of his twinkling eye, in a context that rendered thousands stone silent, he dropped the facade.

“Because”, he said, “everything was so good [before “the plague”]. Why would I ever have to come to Erie?”

“Erie..!” , he sneered.

Wait.

What?

Suddenly, we were stripped naked. We were Dreary Erie, the Mistake On The Lake, the “old relic” of recent date. We were profoundly beneath him, likely rating nothing but a mere phone call (and, he’d brought his hand to his ear, to mime it.) The place.went.dead. And dead silence, outside in the fall night air, is the coldest kind.

He contextualized the question, dripping with condescension, as if: “What would [ever ] have brought him to Erie”? Nobody. moved. You could feel no air, at all. But, he kept talking, internally frantic, gripping the lectern just a little harder, leaning down just a bit further. In a blur, “but, now I’m here”, something about “needing us”, and would we “please vote for him”? It was backpedaling. And, it was terrible.

Momentum: dead. It took him a good ten minutes to build back. He’d lost his crowd. Suddenly, Donald Trump was alone, at a microphone, flailing, in front of several thousand freezing people standing outside, exposed and humiliated, reminded that they weren’t anything to him. Not really. Not at all. Only insofar as they were prepared to vote him into a four year reprieve from criminal indictment.

Oh, yes. For just a few, crystal clear, fully revealed minutes, President Trump showed the people of Erie who he really was. I just hope most of them brought that home with them. I hope they quietly remember how he made them feel. Because, friends, that is the man. That is how he regards anyone who isn’t in service to him.

Build on that silence.

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© 10/20/2020 Ruth Ann Scanzillo All rights those of the author, born and raised in Erie PA, whose direct observations are contained herein, and whose name appears above this line. No copying, in part, whole, or fragment, including translations, permitted without direct, written permission requested of the author. Thank you.

littlebarefeetblog.com

3William Schubert, Lana Rinehardt and 1 other3 Comments1 Share

Time For You To Go.

 

My last day as a public school music educator was not a celebration.

Although much anticipated, many times over the years, when the day came I was only aware of a couple, key feelings: exhaustion – and, readiness.

In the years one would have called my prime, I would arrive every morning in full, theatrical costume. Every class was its own creation, my body frequently the illustrated lesson. My students and I were perfectly attuned; discipline was a non-issue. If I didn’t have every child, mouth agape, in the palm of my hand, I wasn’t doing my job.

Time cloaked me. Over the years, the scene changed; once too often my perceived role was marginalized. My dear father, well into his ninth decade, moved in to be under my care. Well past my own half century mark, I found myself counting the months, and then the weeks. The Land of Diminishing Returns had worn me out.

Taken in totality, my contribution to public related arts education had hardly been scant or sparse. Ten fully staged extra-curricular drama productions; 250 beginning violinists, en masse, across several grade levels; instrumental ensembles of every conceivable permutation; competitive marching band; adjudicated concert choir and choruses; general/vocal music, K-8; mixed elementary chorus; focused curriculum for the hearing support. But, 25 years was a good, solid run; on June 9, 2011, I was done.

Today, Jared Kushner was interviewed by Fareed Zakaria on GPS. As President Trump’s senior advisor, he outlined the litany of accomplishments achieved by his father in law’s administration. Seven million new jobs. Trade deals, unprecedented. The dollar, strong. The endless war between Israel and Palestine reaching an also unprecedented mutually satisfying potential for resolution.

What makes related arts teachers distinct from the rest of their colleagues is the sheer measurability of their efforts. Everything they do with their students is readily observable by anyone. Art teachers produce student work which lines the walls of the school; music teachers create and direct performances open to everyone connected with the district. Their product is the direct result of their daily effort.

But, any teacher working past his/her point of positive affect becomes a liability. Good intentions are overtaken by fatigue; good judgment loses its edge. Children, ever intuitive, begin to resist them; administrators try to find ways to move them out of the building.

Given the past two years of the present Presidential administration, the glaring allegations, the deceit, the endless self-contradictions, the blatant lies, and the swarm of negative emotion generated, a great divide is now fixed among the American people. A clear half of the population of citizens wants nothing whatsoever to do with this President. Far beyond mere political ideology, the man himself is openly reviled. There is palpable hatred afoot, across wide swaths of the nation – hatred, for the President of the United States, by just under a majority of his people.

The recent impeachment trial has left half of America emboldened, and the other half utterly slain.  People can hardly look each other in the eye, fearfully wondering what is in the mind and heart of another. The climate, the prevailing mood is one of enmity. Were we at the mercy of the horse drawn carriage and musket, very little would restrain man from taking arms against man, woman against woman, child against child. All of this, over the person of the President of the United States.

Perhaps, instead of charging ahead like some Roman conqueror, President Trump should stop. It might be time for him to pull the lens back, expand to panorama, and take a candid look at the America his presence has created in the minds of its people. If he cannot do that, either because he is unable or unwilling, then he negates the very lives of those who are repulsed by him. He expresses virtual ethnic cleansing, reducing half of the population to zero value.

If he were not to stop, preferring instead to lead his faction into a future fraught by his own amoral, craven appetite for supremacy, the rift between himself , his following, and the rest of the nation would only grow wider. He would, by remaining in office, entrench the divide between the two Americas – perhaps beyond repair. In the face of and in spite of economic prosperity, he would single handedly destroy the soul and spirit of the entire country.

President Trump, don’t make us wait until November. Collect your laurels; accept your prize. Take your once in a lifetime lucky strike, and put it on the shelf with the rest of your shrine to self.

It’s well past time. Time for you to go.

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© 2/2/2020   Ruth Ann Scanzillo.   Please respect the rights of those who produce original material. Do not copy, reconstitute, extract, or otherwise dismantle and distribute this piece without express, written permission of its author. Thank you.

littlebarefeetblog.com

 

 

 

 

 

 

The Autograph.

Mammy had an autographed photo of Billy Sunday’s wife.
She kept it in her Bible.
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But, why?
According to Wikipedia, William Ashley Sunday was an American athlete who, after being a popular outfielder in baseball’s National League during the 1880s, became the most celebrated and influential American Christian evangelist during the first two decades of the 20th century. Helen Amelia Thompson Sunday was his wife, an indefatigable organizer of his huge evangelistic campaigns during the first decades of the twentieth century, and eventually, an evangelistic speaker in her own right.
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Mammy was my grandmother. Born in 1890, she and Pappy moved to Erie from Scranton/Wilkes-Barre when Pappy was hired by BuCyrus-Erie to build cranes.
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She used to tell me of the tent meetings down state which she had attended, where she met Pappy. These were huge gatherings of people, who came together from all points rural to hear the Gospel preached by Billy Sunday. I believe Mammy recounted that she was led to the Lord by Helen Sunday, after one of these meetings. I also remember that, while she used to enjoy playing Solitaire alone in her bedroom, Mammy gave up the deck of cards once she got saved. I often wonder if thereafter she stopped playing the Key Game, which celebrated psychic skill and at which she excelled, as well.
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Mammy’s name was Mae Elisabeth Learn. She’d been second maid to a wealthy, Jewish brewer in the Poconos before meeting Henry. He courted her, to and from Sunday’s tent meetings, until the day he declared: “ You Mae Learn to be Sweet.”
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Pappy’s name was Henry Thomas Sweet, and his parents had hailed from Cornwall, England. When he and Mammy married and traveled to Erie, Pappy carried on Billy Sunday’s evangelism by preaching on the street corners. His was a hellfire and brimstone, Bible brandishing English orator’s style; with his booming, a-tonal baritone, he’d hand down God’s order to the vagrants: get up from the gutter! repent! and, get a job.
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When I look at images of Billy Sunday, I can’t help but note how much he resembled my grandfather. They shared cut features and a strong jaw and the same, resolute expression. Mammy did not resemble Helen Sunday; she had a softer countenance, and always bore a sweet smile.
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But, together, they had both responded to the call of evangelism proposed by Billy and Helen Sunday. They’d pulled up stakes and moved all the way across the Commonwealth to carry it forward. And, Mammy, who spent the rest of her days raising their four daughters, tending two flower and vegetable gardens and, together with Pappy baking hundreds of loaves of bread and both hooking and braiding rugs, sat in her rocking chair when day was done, Bible in hand, praying for everyone who came to mind, with Helen Sunday’s photograph just inside the cover of her Bible.
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I remember the year I met my husband. We’d been introduced through a mutual friend, whom we both respected greatly. Our friend, and his private teacher, was the principal oboeist of the Erie Philharmonic during the years when Maestro Eiji Oue held the baton.
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I had developed a deep respect for our maestro, which bordered on fixation. He had aroused every passion within me, from artistic to sensual to spiritual. He, however, had a strong preference for his principal oboeist, whose petite stature and feisty nature matched his own.
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My husband to be was enamored of her, as well; but, she was soundly married to the love of her own life, consumed by their mutual performing careers and and the raising of their four children.
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And so, each of us foundlings was brought together by stronger forces, upon the common ground of emotional commitment to another – he, to our mutual friend, and I to my Maestro. When my husband proposed marriage to me, the act was spurred by her very challenge; when I accepted, my anticipations extended to include the potential for an expanding realm of human connection which a bond with him would create. I would marry up, into a world which could include, by scant degrees, the object of my passions.
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Maestro Oue did not attend our wedding, though I believe we sent him an invitation, and both of us were sure to include our beloved oboeist in the musical ceremony. Our marriage lasted just over two and a half years (not counting the year of courtship), the second of which my husband spent living and working in Indiana, and it ended seven months after my mother’s death.
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I have two, framed companion photos of myself with our maestro. And, there is a Wheaties cereal box which features his image, nestled on the top shelf of my entertainment center in the music room of my home where I have practiced, rehearsed, and provided private lessons for 30 years.
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At the top of the box, just above the logo, in Japanese:
his autograph.
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© 9/18/19 Ruth Ann Scanzillo.   All rights those of the author, whose story it is and whose name appears above this line. No copying, in whole or in part, permitted without the author’s permission. Thank you for respecting original material.
littlebarefeetblog.com