Category Archives: family history

The Sweet Thanksgiving.

 

The brisk breezes would stir the “whisker” tree’s fist sized tumbleweeds, scattering them between our feet as we scrambled up the steps and took the path between the rock gardens to the front porch at Mammy’s house. In summer we’d take the lazier, flat wide stone walkway from the drive, parallel the porch, the potted geraniums and succulents snuggled side by side along its railing under the broad, royal blue canvas awning flapping in the wind. From that side path, we could almost look Mammy in the eye, cushioned into her steel porch rocker in the far corner awaiting our appearance, smile alight.

But, come fall, we’d hasten past the battened down and molting toward the warm yellow light framed by the front door, halfway up the porch already hearing Aunt Martha’s belly and Pappy’s booming laugh, rising out of the maelstrom of chattering chaos already testing the outer walls of the entire house. Grasping the round, brass doorknob, and leaning into the glass paneled hardwood, we’d push and burst through, hardly noticed by the throng until one face turned and then Pappy, arms above his head, hands curled from hard work, roared out his raging welcome and everyone except the aunts who never stopped talking turning then to gather yet another of us into their arms.

Kicking the snow from our overshoes onto the multilayered hooked rugs, we’d stack them and take the short diagonal between the twin bookcases past the round oak dining room table and the African violets in the east window through to the kitchen, passing the ceramic cookie jar setting our paperbagged salad fixings carefully on the kitchen-turned- server table next to the apple, mincemeat, pumpkin, and rhubarb pies, where Mammy stood over the stove in her rick rack trimmed cotton apron, stirring a pot of gravy with a wooden spoon, the pressure cooker’s indicator bobbling and sputtering over the back burner like a steam train waiting in the station. All the aunts took their wide hipped turns in the kitchen, two of them diligent about the food and the other two appearing to inspect and taste test, the youngest with a wink toward a niece or nephew as she licked her finger.

Pappy was loud, and three of his four son in laws quiet, each quick with a joke or a witty comeback, Uncle Frank sitting with a closed eyed smile, Dad who was called Uncle Tony with his hands in his belt, napping already in the only scene where he would not command the center of attention, Uncle Bud standing tall near a corner already giggling through a long, spun yarn for the home movie camera, and Uncle George, egging Pappy on with his bright, Irish bell tenor.

We grandchildren were fifteen in all, the firstborn Alan, a brilliant artist and pianist, rarely able to come home anymore being married in Michigan, his four other siblings Philip, Lydia, Lois and Frannie often present, living only two doors down, the elder girls wearing their engagement rings dressed in wool sweaters and straight skirts and pointed pumps, Frannie in keeping with her other, younger counterparts in winter wear warm enough for playing outside if there were enough snow later. Then, cousin Bonnie and half brothers Butch and David from Lawrence Park because Uncle Bud worked at GE, and me and my two brothers, Nathan and Paul, having walked from around the corner and across the street and, finally, our four cousins from Ohio, Becky, Beth, Timmy and Kathy, the latter two with flaming red hair. Being either the first or last to arrive, once all were in house the card table would come out, and the floral painted linens, we among the smallest cousins relegated to the workroom where the rugs were braided and the clothes sewn and the toybox waited and, while the piano took turns being played and songs chosen for singing, the family like a choir from an old country church, Pappy the only tone deaf voice among them, the potatoes were mashed, the boiled bacon drippings poured over the salad, the parsnips and rutabaga and peas and Lima beans and corn ladeled into their divided serving dishes, the silver plated forks knives and spoons set on each soft, embossed linen napkin, tomato juice poured into the slender tulip glasses and set at the center of each China plate, head lettuce leaves placed on each smaller one for salad, fruit filled Jello squares lifted onto each leaf, one half teaspoon of Hellmann’s to dot each center, the gravy poured into the boat, the butter set in its silver dish, the roast carved and, finally, the Parker House rolls, ready and hot, in the round, linen lined bowl basket to table.

Pappy could be heard from any room in the house, but usually Aunt Dora Mae or Aunt Betty would call all to the dinner table. Aunt Dora Mae was hands down the better cook among them, Mammy’s eldest, but Mum’s voice was the most penetrating on account of her hearing loss and Aunt Frances was likely in earnest discussion with another of equal intellectual bent and Aunt Martha busy, laughing in a far corner, her nephews gathered around her ready audience testing their latest comedic mettle.

But, the food drew us all, to the oak table round circled by both Dora Mae and Betty as they’d labored the delivery of their firstborn, to the card table in the living room where Risk, Monopoly, Probe, and Life were won and lost, to the child’s table and chairs that Pappy made in the workroom just beyond the pantry and we, the Sweet family, sat our chaos down to the warmth of hot, family style Thanksgiving dinner and bowed our heads while Pappy thanked the God who brought him all the way across the Commonwealth to build cranes at BuCyrus-Erie, to the street corners to preach, to the City Mission and the Gospel Assembly Hall to settle his family in the east side neighborhood at 923 East 29th.

Then, everyone filled their faces, still all talking at once, Mammy finally sitting down at the kitchen end of the table, laughing with her mouth full, Pappy hunched over his plate, gumming his food with his teeth out, the aunts and uncles and cousins all tasting the same food with their own unique manifestations of the family DNA, all together, the whisker trees’ tumbleweeds flying about outside the east windows, as remnants of the feast wafted throughout the house to leave behind its everlasting aroma in the wallpaper, the white silken window curtains, the ceiling plaster, the floor underfoot, and the dark wood framing each room in the house, the collective spirit of nourishment sustaining life on one small, thankful speck of the planet as the world spun around once more.

.

.

.

.

© 11/27/19    Ruth Ann Scanzillo     All rights those of the author, whose story it is and whose name appears above this line.

From the heart of Sweet gratitude: Happy Thanksgiving! from littlebarefeetblog.com

 

 

 

The Autograph.

Mammy had an autographed photo of Billy Sunday’s wife.
She kept it in her Bible.
.
But, why?
According to Wikipedia, William Ashley Sunday was an American athlete who, after being a popular outfielder in baseball’s National League during the 1880s, became the most celebrated and influential American Christian evangelist during the first two decades of the 20th century. Helen Amelia Thompson Sunday was his wife, an indefatigable organizer of his huge evangelistic campaigns during the first decades of the twentieth century, and eventually, an evangelistic speaker in her own right.
.
Mammy was my grandmother. Born in 1890, she and Pappy moved to Erie from Scranton/Wilkes-Barre when Pappy was hired by BuCyrus-Erie to build cranes.
.
She used to tell me of the tent meetings down state which she had attended, where she met Pappy. These were huge gatherings of people, who came together from all points rural to hear the Gospel preached by Billy Sunday. I believe Mammy recounted that she was led to the Lord by Helen Sunday, after one of these meetings. I also remember that, while she used to enjoy playing Solitaire alone in her bedroom, Mammy gave up the deck of cards once she got saved. I often wonder if thereafter she stopped playing the Key Game, which celebrated psychic skill and at which she excelled, as well.
.
Mammy’s name was Mae Elisabeth Learn. She’d been second maid to a wealthy, Jewish brewer in the Poconos before meeting Henry. He courted her, to and from Sunday’s tent meetings, until the day he declared: “ You Mae Learn to be Sweet.”
.
Pappy’s name was Henry Thomas Sweet, and his parents had hailed from Cornwall, England. When he and Mammy married and traveled to Erie, Pappy carried on Billy Sunday’s evangelism by preaching on the street corners. His was a hellfire and brimstone, Bible brandishing English orator’s style; with his booming, a-tonal baritone, he’d hand down God’s order to the vagrants: get up from the gutter! repent! and, get a job.
.
When I look at images of Billy Sunday, I can’t help but note how much he resembled my grandfather. They shared cut features and a strong jaw and the same, resolute expression. Mammy did not resemble Helen Sunday; she had a softer countenance, and always bore a sweet smile.
.
But, together, they had both responded to the call of evangelism proposed by Billy and Helen Sunday. They’d pulled up stakes and moved all the way across the Commonwealth to carry it forward. And, Mammy, who spent the rest of her days raising their four daughters, tending two flower and vegetable gardens and, together with Pappy baking hundreds of loaves of bread and both hooking and braiding rugs, sat in her rocking chair when day was done, Bible in hand, praying for everyone who came to mind, with Helen Sunday’s photograph just inside the cover of her Bible.
.
I remember the year I met my husband. We’d been introduced through a mutual friend, whom we both respected greatly. Our friend, and his private teacher, was the principal oboeist of the Erie Philharmonic during the years when Maestro Eiji Oue held the baton.
.
I had developed a deep respect for our maestro, which bordered on fixation. He had aroused every passion within me, from artistic to sensual to spiritual. He, however, had a strong preference for his principal oboeist, whose petite stature and feisty nature matched his own.
.
My husband to be was enamored of her, as well; but, she was soundly married to the love of her own life, consumed by their mutual performing careers and and the raising of their four children.
.
And so, each of us foundlings was brought together by stronger forces, upon the common ground of emotional commitment to another – he, to our mutual friend, and I to my Maestro. When my husband proposed marriage to me, the act was spurred by her very challenge; when I accepted, my anticipations extended to include the potential for an expanding realm of human connection which a bond with him would create. I would marry up, into a world which could include, by scant degrees, the object of my passions.
.
Maestro Oue did not attend our wedding, though I believe we sent him an invitation, and both of us were sure to include our beloved oboeist in the musical ceremony. Our marriage lasted just over two and a half years (not counting the year of courtship), the second of which my husband spent living and working in Indiana, and it ended seven months after my mother’s death.
.
I have two, framed companion photos of myself with our maestro. And, there is a Wheaties cereal box which features his image, nestled on the top shelf of my entertainment center in the music room of my home where I have practiced, rehearsed, and provided private lessons for 30 years.
.
At the top of the box, just above the logo, in Japanese:
his autograph.
.
.
.
.
.
.
.
© 9/18/19 Ruth Ann Scanzillo.   All rights those of the author, whose story it is and whose name appears above this line. No copying, in whole or in part, permitted without the author’s permission. Thank you for respecting original material.
littlebarefeetblog.com

Love. Do We Need It?

Recitations from littlebarefeetblog.com:

 

 

© 9/12/19    Ruth Ann Scanzillo.      More, in print, at this blog  (littlebarefeetblog.com) , at your leisure; for my purposes, these essays, poems, and proverbs were written over the past 5 years.  Thank you.

littlebarefeetblog.com