Pop was never my thing, back then. But, I secretly wished it could be.
Raised on two part a capella worship music, performed by the untrained, first listening to my father croon into my ears while he fed me the bottle I always had an affinity for a grown man who could really sing.
Paul was definitely grown. His skin betrayed his age, but he still wore a shag to the shoulders as if it were the coolest, and a denim jacket same. And I think, but I’m not sure, that the day I stepped into Larry’s basement for my keyboard “audition” he might have already been there.
The Classmates were a vocal quartet of high school friends circa 1957, which was the year I was born. Frank, Jim, Larry, and Ronnie, three out of four second generation Italian and one black American with voices to blend. But, Paul was their friend, and became a final set fixture at nearly all our gigs. The reason he was in that set was because we always closed with “Peppermint Twist”/”SHOUT” – and, these were his signatures. Paul had spent his heyday singing them with his band, The Epics, both in Vegas and at the “World Famous Peppermint Lounge” – in New York City. The Epics were the band The Beatles came to see and hear after they played New York. It’s true; look it up.
I’d always had a solo voice, of sorts, suited for weddings and funerals, a solid Debby Booner. But, when our tenor couldn’t quite carry the Frankie Valli leads, and Frank asked me if I could, these became my own semi-signature tunes from behind the keyboard for the second set. “Big Girls Don’t Cry”; “Sherry, Baby”; my choice, the Ronnie Spector “It’s My Party” and, nod to the Beatles, “Twist and Shout”.
To Paul, I was probably the furthest cry from a female singer. I didn’t dress the part and, worse, I didn’t carry it. Frank had saddled me in the shoes of the same name when I produced my own pair and, when he acquired royal blue bowling shirts with white cuffs and collar for the guys, I got one too – along with one each of the violet and pink ruffled tuxedo long sleeves to match with black pants.
Never sure if this were on consult or his own idea, but one day Paul had me come over to his house and meet him in his basement. He wanted to coach me into singing lead. Out front. Like a real girl singer.
His wife, sweet and accommodating, provided iced tea on a serving tray. I squirmed. This man sucked on a Throat Disc and wailed like his life depended on it; how could I possibly learn from him? Ah. The arrogance of youth.
I actually don’t remember all of what happened during that session. He told me stories of his days in the circuit, and we listened to some forty fives and he talked about style. I concluded that I was probably the only female singer he’d ever met who would not be groomed for the front. He must have been convinced; we never met again, over iced tea or anything else.
But, what we did do was play out. Paul got us the best work in the big bars. He’d always be our finisher, and he was so good at it – stirring the crowd into a frenzy, pushing his cords until I thought they would just splinter out every time, I was content to crank the keyboard bass until the woofers jumped from the floor and ride all the way to the end on that Roland Hammond B3 preset like a boss. I was so happy just to be part of his show.
Paul’s show kept on, too. Long after I left that band to accept my first public school teaching job, he’d still be found singing. Few of us musicians knew he also coached baseball, and well enough to do so for major high school programs in our region. But, he would not stop singing. That voice which, to my ear and experienced vocal nodes, was always on its last legs just never gave out.
I don’t know what happened, really. Something about a heart problem, requiring major surgery, and complications, and the ICU, and then death. How does that occur, in our time, anymore? Yeah. Paul was 82. But, from the first time and every time I’d seen him over the years he was always, already older than me, old – but young. Younger than all the rest. Paul Younger.
Rest in Peace, you old crooner. Or, keep on wailing. It’s your call, Paul. You were our prince of Pop.
© 12/29/19 Ruth Ann Scanzillo. All rights those of the author, whose first hand story it is, and whose name appears above this line. Please respect this tribute, exactly as it is written. Thanks.
Dad never knew his parents.
Uncle Gabriel and Aunt Marietta told him stories. Raimondo was a foreman, a tenor, a brute and a womanizer; Giovina, defenseless, speaking only Italian dialect, had been committed to a sanitarium by her husband. Tony, her third child, was born there.
Dad would be taken from her, at birth, to live alternately at the Bracchi’s foster home or the Walter E Fernald School in Waverly, Mass. But, on or about age 15, to bolt, literally running away, he with his institutionally bequeathed harmonica and trumpet trained lip, caught the freight cars and rode them all the way to Louisiana.
From the deep South, this rambler would take odd farmhand jobs and then head West, learning life and copying a cigar box set of “spoons” by carving a John Deere plowhandle into his own hand held rhythm section. Together with harmonica in his right, bones in the left, he became a bona fide panhandling drifter, his travels reaching their ultimate end at the California coast. After a week invited to stay with a touring big band, he joined the US Army.
The Army would send him back east, to Fort Riley KS. Training there for the impending war, he would ride yet another rail, this time a steamer to New York on a final R&R, and meet Mum, with whom he sat and sang and played out his life story all night. By the time the fighting broke out, they were already married.
Deployed to Germany, where he would serve under Patton as a forward observer, reach Corporal as lead bugler organizing a parade for the dignitaries, and earn the Bronze during the Battle of the Bulge Dad had many interactions with every walk of life. Somehow, along the way, he acquired mementos: two decorative swords, of fine silver; a German luger pistol; an emerald cut topaz from a fraulein named Kitty; and, a bloodstone pinkie ring, set in gold.
When I was eleven, Dad gave me that bloodstone as a reward for learning his favorite piano piece, “Alpine Glow”. I have worn that ring, nearly every day, for the past fifty one years.
In spite of everything he did tell us, there was still so much we never knew about Dad. There were gaps, in time, for which there was no clear explanation. There were the repeated AWOLS, and the stint on Pearl Harbor day (his birthday) in the guard house, and one more memento, that oval silver tag with the name Tony Marino bearing his social security number which he wore as a cabbie.
Still, there was his sister Frances and her husband Al, who played clarinet for Artie Shaw, first cousins, same surname; his brother whom he’d met at the Fernald, Luigi, whom everyone called Tom, no physical resemblance, living as an electrician in Hartford. There was his niece, Rhonda Lee, who died tragically at age 51; his nephew, Richard, whom we’d only seen once; and Rima, beloved to Mum, who actually came back with her husband Ange to see Dad in the year before his death. These were those we did know, only as we did know them.
Research reveals that the bloodstone is claimed as an excellent blood cleanser and powerful healer, heightening intuition and increasing creativity, grounding and protecting against geopathic and electromagnetic stress. My memory speaks that Dad’s bloodstone was acquired in exchange for a pack of smokes. It’s owner never revealed anything about the ring to him, as far as we ever knew.
My hand, through which his blood still flows, bears Dad’s ring to the end. What Dad never knew, and what we never knew about him, are in God’s.
© 12/18/19 Ruth Ann Scanzillo. All rights those of the author, whose story it is, and whose name appears above this line. Neither copying, in whole or part, nor translation permitted by anyone at any time. Thank you for being the better person.