Category Archives: arts education

Time For You To Go.

February 2, 2020arts education, civic commentary, commentary, drama, human behavior, philosophy, political commentary, politics, psychology, public education, social commentary, sociology, The Independent Party, the power grid, truth, UncategorizedAC360, beyond political ideology, Chris Matthews, craven appetite for supremacy, Cuomo Primetime, DLemon, Fareed Zakaria GPS, Israel and Palestine, Jared Kushner, lifetime lucky strike, MSNBC, November 2020, outcome of the impeachment trial of Donald J Trump, Overstaying welcome, President Donald J. Trump, prevailing mood of fear and enmity, Rachel Maddow, readiness to change, related arts in public education, Roman conquerors, seven million jobs, strong dollar, the great political divide, The Land of Diminishing Returns, the two Americas, time for the President to pack it up, trade deals, virtual ethnic cleansingruth ann scanzillo

My last day as a public school music educator was not a celebration.

Although much anticipated, many times over the years, when the day came I was only aware of a couple, key feelings: exhaustion – and, readiness.

In the years one would have called my prime, I would arrive every morning in full, theatrical costume. Every class was its own creation, my body frequently the illustrated lesson. My students and I were perfectly attuned; discipline was a non-issue. If I didn’t have every child, mouth agape, in the palm of my hand, I wasn’t doing my job.

Time cloaked me. Over the years, the scene changed; once too often my perceived role was marginalized. My dear father, well into his ninth decade, moved in to be under my care. Well past my own half century mark, I found myself counting the months, and then the weeks. The Land of Diminishing Returns had worn me out.

Taken in totality, my contribution to public related arts education had hardly been scant or sparse. Ten fully staged extra-curricular drama productions; 250 beginning violinists, en masse, across several grade levels; instrumental ensembles of every conceivable permutation; competitive marching band; adjudicated concert choir and choruses; general/vocal music, K-8; mixed elementary chorus; focused curriculum for the hearing support. But, 25 years was a good, solid run; on June 9, 2011, I was done.

Today, Jared Kushner was interviewed by Fareed Zakaria on GPS. As President Trump’s senior advisor, he outlined the litany of accomplishments achieved by his father in law’s administration. Seven million new jobs. Trade deals, unprecedented. The dollar, strong. The endless war between Israel and Palestine reaching an also unprecedented mutually satisfying potential for resolution.

What makes related arts teachers distinct from the rest of their colleagues is the sheer measurability of their efforts. Everything they do with their students is readily observable by anyone. Art teachers produce student work which lines the walls of the school; music teachers create and direct performances open to everyone connected with the district. Their product is the direct result of their daily effort.

But, any teacher working past his/her point of positive affect becomes a liability. Good intentions are overtaken by fatigue; good judgment loses its edge. Children, ever intuitive, begin to resist them; administrators try to find ways to move them out of the building.

Given the past two years of the present Presidential administration, the glaring allegations, the deceit, the endless self-contradictions, the blatant lies, and the swarm of negative emotion generated, a great divide is now fixed among the American people. A clear half of the population of citizens wants nothing whatsoever to do with this President. Far beyond mere political ideology, the man himself is openly reviled. There is palpable hatred afoot, across wide swaths of the nation – hatred, for the President of the United States, by just under a majority of his people.

The recent impeachment trial has left half of America emboldened, and the other half utterly slain. People can hardly look each other in the eye, fearfully wondering what is in the mind and heart of another. The climate, the prevailing mood is one of enmity. Were we at the mercy of the horse drawn carriage and musket, very little would restrain man from taking arms against man, woman against woman, child against child. All of this, over the person of the President of the United States.

Perhaps, instead of charging ahead like some Roman conqueror, President Trump should stop. It might be time for him to pull the lens back, expand to panorama, and take a candid look at the America his presence has created in the minds of its people. If he cannot do that, either because he is unable or unwilling, then he negates the very lives of those who are repulsed by him. He expresses virtual ethnic cleansing, reducing half of the population to zero value.

If he were not to stop, preferring instead to lead his faction into a future fraught by his own amoral, craven appetite for supremacy, the rift between himself , his following, and the rest of the nation would only grow wider. He would, by remaining in office, entrench the divide between the two Americas – perhaps beyond repair. In the face of and in spite of economic prosperity, he would single handedly destroy the soul and spirit of the entire country.

President Trump, don’t make us wait until November. Collect your laurels; accept your prize. Take your once in a lifetime lucky strike, and put it on the shelf with the rest of your shrine to self.

It’s well past time. Time for you to go.

© 2/2/2020 Ruth Ann Scanzillo. Please respect the rights of those who produce original material. Do not copy, reconstitute, extract, or otherwise dismantle and distribute this piece without express, written permission of its author. Thank you.

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Paul Yoculan Younger, Epic Prince of Entertainment.

December 28, 2019arts education, classical musicians, drama, grief, healing, memorials, musicians, performance, personal testimony, professional musicians, public education, relationships, social commentary, sociology, tributes, Uncategorizeda real girl singer, back up vocals and keyboard lead, Big Girls Dont Cry, heart surgery complications, old crooners, Paul McCartney, Paul Yoculan Younger, Peppermint Twist, prince of Pop, Roland JX3p Hammond B3, Ronnie Spector, Sherry, Sherry Baby, singing out front, The Beatles, The Beatles heard The Epics play New York, The Peppermint Lounge, Throat Discs, Twist and Shoutruth ann scanzillo

Pop was never my thing, back then. But, I secretly wished it could be.

Raised on two part a capella worship music, sung by the untrained, first listening to my father croon into my ears while he fed me the bottle I always had an affinity for a grown man who could really sing.

Paul was definitely grown. His skin betrayed his age, but he still wore a shag to the shoulders as if it were the coolest, and a denim jacket same. And I think, but I’m not sure, that the day I stepped into Larry’s basement for my keyboard “audition” he might have already been there.

The Classmates were a vocal quartet of high school friends circa 1957, which was the year I was born. Frank, Jim, Larry, and Ronnie, three out of four second generation Italian and one black American with voices to blend. But, Paul was their friend, and became a final set fixture at nearly all our gigs. The reason he was in that set was because we always closed with “Peppermint Twist”/”SHOUT” – and, these were his signatures. Paul had spent his heyday singing them with his band, The Epics, both in Vegas and at the “World Famous Peppermint Lounge” – in New York City. The Epics were the band The Beatles came to see and hear after they played New York. It’s true; look it up.

I’d always had a solo voice, of sorts, suited for weddings and funerals, a solid Debby Booner. But, when our tenor couldn’t quite carry the Frankie Valli leads, and Frank asked me if I could, these became my own semi-signature tunes from behind the keyboard for the second set. “Big Girls Don’t Cry”; “Sherry, Baby”; my choice, the Ronnie Spector “It’s My Party” and, nod to the Beatles, “Twist and Shout”.

To Paul, I was probably the furthest cry from a female singer. I didn’t dress the part and, worse, I didn’t carry it. Frank had saddled me in the shoes of the same name when I produced my own pair and, when he acquired royal blue bowling shirts with white cuffs and collar for the guys, I got one too – along with one each of the violet and pink ruffled tuxedo long sleeves to match with black pants.

Never sure if this were on consult or his own idea, but one day Paul had me come over to his house and meet him in his basement. He wanted to coach me into singing lead. Out front. Like a real girl singer.

His wife, sweet and accommodating, provided iced tea on a serving tray. I squirmed. This man sucked on a Throat Disc and wailed like his life depended on it; how could I possibly learn from him? Ah. The arrogance of youth.

I actually don’t remember all of what happened during that session. He told me stories of his days in the circuit, and we listened to some forty fives and he talked about style. I concluded that I was probably the only female singer he’d ever met who would not be groomed for the front. He must have been convinced; we never met again, over iced tea or anything else.

But, what we did do was play out. Paul got us the best work in the big bars. He’d always be our finisher, and he was so good at it – stirring the crowd into a frenzy, pushing his cords until I thought they would just splinter out every time, I was content to crank the keyboard bass until the woofers jumped from the floor and ride all the way to the end on that Roland Hammond B3 preset like a boss. I was so happy just to be part of his show.

Paul’s show kept on, too. Long after I left that band to accept my first public school teaching job, he’d still be found singing. Few of us musicians knew he also coached baseball, and well enough to do so for major high school programs in our region. But, he would not stop singing. That voice which, to my ear and experienced vocal nodes, was always on its last legs just never gave out.

I don’t know what happened, really. Something about a heart problem, requiring major surgery, and complications, and the ICU, and then death. How does that occur, in our time, anymore? Yeah. Paul was 82. But, from the first time and every time I’d seen him over the years he was always, already older than me, old – but young. Younger than all the rest. Paul Younger.

Rest in Peace, you old crooner. Or, keep on wailing. It’s your call, Paul. You were our prince of Pop.

The Last Trombone.

December 21, 2019arts education, brain research, Christian fundamentalism, Christianity, classical music, classical musicians, dance, drama, Fundamentalism, human behavior, humor, musicians, performance, personal testimony, professional musicians, psychology, sectarian Fundamentalism, social commentary, sociology, UncategorizedAF of M, celesta, comparing piano keyboard weight with synthesizers, Fundamentalist Christian theology, harpsichord, keyboard synthesizers and keyboard weight, Martin Luther, muscle memory and professional musicians, prophetic scripture, sackbut, The Nutcracker, the Rapture, trombone, Tschaikowskyruth ann scanzillo

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