Category Archives: performance

public presentation; art, music, dance, drama;

HOT WAX.

Everybody who hasn’t formed a crystallized opinion on Johnny Depp and Amber Heard is likely busy doing so, this week.

I came in late, but hot; been binging as much as my eyes and ears will allow, with great consternation.

Replaying from the beginning, hearing Johnny first drew me into his POV. His tone and inflection singularly seductive, his face and frame the perfect decoration….What’s not to captivate, there?

Plus, once I could identify with his childhood trauma via my own partner of so many years, his story was easy to personalize – which always blurs the lines.

By harsh contrast, his contender’s countenance seemed alternately contrived, sullen, supercilious. So, imagine the cognitive dissonance in my head once Amber took the stand.

Yeah. That.

No need to reiterate what can be found in endless loop anywhere on the internet. You go; you see; you hear.

My doubts about whether the jury will have an easy time of it are growing. The evidence is a mountain – of noise. Horrid verbal onslaught; drunken slurry; accusation, retaliation, condemnation. Intractable situation.

Unless they’re in cahoots, creating this drama in collusion to boost their mutual bankability, to my seasoned senses they’ve burned each other’s wick down to vapor. There’s nothing left but hot wax.

Hope the jury can swim their way out of that pool.

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© 5/9/22 Ruth Ann Scanzillo. All rights, you know the drill. Sharing by blog link, exclusively. No copying, no translating, no screen capturing……..Thanks.

littlebarefeetblog.com

Amber Heard.

When Katrina died, I hit my first writer’s block.

Having read about this affliction, I would smirk at the thought; how could a true writer find no words?

In my case, there was little warning; I’d typed her name, in the title of what was to be another of many tribute pieces, only to find myself staring at the white screen. I could not begin.

But, after spending several hours this weekend viewing reruns of the Depp/Heard defamation hearings, I woke up this morning thinking of Katrina.

We’d first met when she was a piano student of Sam Rotman at Mercyhurst College, myself on staff playing for the students of vocal and instrumental performance. Forty years old, I was teeming with climaxing hormonal energy, overjoyed to be in such close proximity to fresh, anticipating youth. Katrina was a bubbling post-adolescent with residual acne and raw authenticity. Bearing a gift for theater show tunes, she brought cheerful joy into the room and loved everyone she met.

The tenor, to whom I’d been assigned, was her boyfriend. I played his senior recital, and we became well acquainted. At the time, he called Katrina his good friend and it wouldn’t be until I happened to catch them in the library after the recital exchanging a quick kiss on the lips that her actual status would emerge. I would learn, years later, that many men often categorized the women in their lives differently than the women who regarded such men.

Katrina was generous with praise. She was specific, for example, in acknowledging the thumb technique required in the piano accompaniment for the Britten after that recital. Vivid, to me, was the smile on her face and the light in her eyes. Knowing the part, she showed genuine collegiality and deference toward me, an act of humility.

Years passed. I would next see Katrina at a music faculty meeting, within the district. Myself having been at the high schools, I’d bid down to primary level and she appeared as a newest hire among them.

Katrina had changed. Now, she sat silently, her deference manifesting minus the characteristic extroversion, watchful and attentive. Her skin was smoothe and clear, her countenance thoughtful.

But, her reputation as a music teacher and theater pit pianist had spread quickly. The kids loved her. The staff loved her. The casts adored her. Everywhere she went, she still brought the light of her spirit and a selfless enthusiasm devoted to the successes of her charges. Silent at faculty meetings, Katrina conserved her energy for use where it mattered most.

Amber Heard sits in court, silence enforced. Her presentation is physically flawless. Perfectly tailored clothing, expertly fit; hair professionally set; complexion that of painted porcelain. Structurally, her face is enviably beautiful, its profile completely balanced, its angles bearing not a single weakness. One can marvel looking at her as if viewing one of the Creator’s most outstanding moments.

But, like the many masterworks of Rodin or Michelangelo, she appears as any stone sculpture. One searches to find the soul in her eyes. One notes the fleeting curl at the left corner of a petulant lip. One, as a member of her audience, contemplates what if any nourishing life might be found there.

Among contrasts this, the most stark, I think of Katrina. Cancer ravaged her neck and throat, seizing her ability to swallow. Still, she smiled, directing whatever ounce of remaining energy she had toward her daughter, Amelia, and her husband, Mark. To the end, she was ever focused on the needs of those to whom she was devoted, almost as sacrifice. Their world without her is a gaping and grasping testament to being loved entirely.

What the price of a selfish life?

To what end?

About that, I have no more words to say.

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© 5/1/22 Ruth Ann Scanzillo. All rights those of the author, whose story it is and whose name appears above this line. No copying, in part or whole (including translation) permitted without direct, written, signed permission of the author. Thank you for being the better person.

littlebarefeetblog.com

Show Up And Play.

Nightmares.

Some are so soul crushing that the relief which occurs upon waking is akin to epiphany.

I’d found myself back in the cello section of the Erie Philharmonic. (That alone, to those who know the history, was already a foreboding dream marker.) Herewith, the scene unfolding.

First, the orchestra was performing in the pit not of the spacious and soon to be reborn Warner Theatre/Erie, PA but of Grover Cleveland Elementary School, a site never before graced by this orchestra (although the Erie Chamber Orchestra would find its way there a year or so before its own demise). Further, my position in the cello section was outside last desk (which had almost never been my seat) and the cellist sitting inside was a student, the only private student who had left my studio during my actively performing years and who, during this scene, was no longer my student. Given this arrangement, the dream concert would likely have been a Jr Phil “side by side” performance, no doubt inspired by photos posted on Facebook which I’d just perused before retiring to bed the night before.

I’d taught at Grover Cleveland School for twelve of the twenty five in total dedicated to related arts, public education. My seat as outside last desk in that pit put me very near the spot of the place where, twelve years earlier, in full view of an auditorium filled to capacity with young children and their teachers, I’d flown from the stage edge to smash to the floor, breaking my hip and sacra.

Now, in that very place, the orchestra sat in dress rehearsal. My former student was sustaining sound on one note noticeably beyond cue of the conductor’s baton, affectionately known by seasoned professionals as “the stick”. Watching the stick had been something to which I’d been absolutely loyal for nearly 30 years. This was a feature of my own contribution to the ensemble which I’d been sure established my value within it.

I gave my former student a sidelong glance of teacherly disapproval.

Suddenly, the dream scene changed. The conductor was at my elbow, leaning across me, lavishing the student with praise – and, ignoring me. This conductor, that is, none other than the Maestro to whom I’d been most devoted, the one and only Eiji Oue who, as a Bernstein protege, had filled our hall every concert for five glorious years.

I looked up at Eiji – bewildered, frustrated, and sad. Then, I spoke. “Maestro, do you…….should I just leave the orchestra?” With snide condescension, almost irritated by the question, he responded.

His reply was affirmative. I don’t remember what he said.

Rehearsal having ended, audience had begun filing in. Standing up, preparing to buck the encroaching crowd, I spied my younger brother already seated in the auditorium. I called out to him, declaring that I was being eliminated from the orchestra. He gave me a challenging look, the kind he presents when he’s about to wordlessly act. Then, he turned, and ushered his couple boys out of the row.

I looked over the throng, beginning to feel the panic. Was I carrying my cello in its case up the steep aisle toward the foyer? Once there, the space resembled the inside of a local parking garage near the Warner, all cement, with painted steel rails. I had to find my brother; he’d transported me to the event. Didn’t his truck have my housekeys in it?!

My brother, because this was a dream, could not be found.

I returned to the inside of the auditorium, which was filling fast. Heading down the aisle was a strange young woman with long, thick, honey colored hair, carrying a cello case. Reaching the last desk, she began unpacking her cello. Her face was one common to my dreams, clearly identifiable but totally unrecognizable by me. I called to her. Refusing to look at me, but with a knowing smirk, she continued setting up her instrument.

That fast, I’d been replaced for the performance by a sub willing to “show up and play”, the moniker for those whose entire performing lives are dictated by a willingness to wait for a call at any moment, said calls tabulated and reviewed and documented for income tax purposes.

I turned. I looked back over the audience. I looked back at her. The room was closing in. I spoke to a woman near. I’d been eliminated from the orchestra after three decades. She looked back at me, as one looks at a sad stranger. I looked around the room. I stood. The sounds in the room increased in volume around me to a maddening pitch. I woke up.

Eyes opening, sticky from sleep, I felt the weighted blanket hugging my hips. The bedroom chair, dimly seen, the bathroom doorway, the music room through the bedroom door with my cello laying on its side by the piano… I’d returned to the haven of my own reality. I was intact.

Most dreams linger, their images gradually fading as we move through time. This one was different. This time, with a clarity as yet never experienced, I knew something.

No one other person, however importantly perceived, however grand in sphere of influence, however innately capable, determines another’s value.

No single moment within time determines destiny.

None, perhaps, except epiphany.

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© 4/8/2021 Ruth Ann Scanzillo All rights those of the author, whose story it is and whose name appears above this line. Sharing permitted via blog link, exclusively; no copying, in part or whole including translation, permitted. Thank you for being a good person.

littlebarefeetblog.com