Category Archives: drama

The Late Boomer.

Duct cleaning was the real world equivalent of a colonoscopy.

Beyond fundamental purging of the crud adhered to household infrastructure, what mattered in the end (npi) was all the unfinished business unearthed in the process.

I’d purchased the old farmhouse in ’89, at the ripening age of 32. Among my phase of the Boomer generation, this was considered respectably progressive; most single girls were renting in townhouse complexes held up by select, emerging studs. I was the girl with other things to do.

Like, build a creative life.

And, toward that particular endeavor, such construction yielded the acquisition of: things.

It only took three decades. In that time, I’d managed to retain eighteen throw pillows, four keyboards, seven hundred ninety eight gig check stubs, one Koehler beer bottle, George Foreman mini grill, Jack Lalane Juicer, Oster food processor, Skinny bullet, Cuisinart countertop, two rotary phones, seventeen curio boxes, six hat carriers, five unmatched end tables (from Sundance), ten lamps, three sofas, fourteen area rugs(half off, shipped direct), and each piece of clothing ever handmade by Mum or purchased from Newport News catalog. Everything was a potential theater prop. Every issue of The International Musician, Suzuki journal, CD sample, 8.5 x 11 page of sheet music, and idea scrawled empty envelope ever hewn, molded, collated, or conceived. Hard copy was the hallmark of my people; we had history, because we made history.

But, post-pandemic, it was time to get this hoard in order.

Duct cleaning services only ask for the simplest compliance: make every warm air vent and cold air return accessible. Large expanding hoses, I dimly remembered from well over a decade past, needed to be attached to each and then run outside through a noisy compressor the size of a pediatric hot air balloon in the shape of a human stomach. A couple hours hence, and the digestive system of the old Saraceno homestead would be purged.

Well, not so fast.

The constipation of thirty plus years was compacted. Furthermore, like most artists, I’d re-designed the floor layout as many times as the visual landscape warranted, which was frequently, and with no regard for anything as life sustaining as air flow. And the cellar, become the catch all for 25 years in K-12 vocal /general /instrumental and dramatic music, held enough foamboard, posterboard, cardboard, laminate, and plastic binned handhelds to start a very smelly bonfire at a summer camp.

Speaking of fire, I’d spent the two full hours and nineteen minutes ensconced in the attic loft contemplating how many minutes it might take to evacuate my four most precious treasures in the event of such an alarm. From there, I could hear the two cleaning guys at the back mud room doorway as they wrapped up their afternoon.

Then, it happened. That moment, in every Woody Allen film, where the frame falls away and the viewer – exposed – becomes the central character. From my perch on the landing of the loft, I heard one say to the other:

“This place is a mess.”

Down the back stairway I pummeled, ready for confrontation. Had they finished, and was I not so sorry about the cluttered entryway and the prohibiting things. What was the condition of the ducts. Genuinely surprised, I stared as the one who denied making any judgment declared that neither the ducts nor the vents were caked in soot. What, then, had caused the overwhelming dust bunny convention in virtually every room of the house?

My collection of, you guessed it: things.

Paper and cardboard, to be exact. The stuff of all conflagration. The cause of the problem was the problem. Shit, effectively begetting shit.

In spite of the questionable integrity of the first floor wiring, the Nutone heat lamp timer on the bathroom wall still worked. If I set it to its maximum 15 minutes, I could start at the south end of the kitchen and work my way north. The white washed Pier I country house bench, wedding gift from Lisa in ’93, would be the first suffocation rescue; what remained would take the rest of my life.

Faintly, in the distance of my inevitable future, I could almost feel it:

Boom.

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© 6/10/2021 Ruth Ann Scanzillo. All rights those of the author, whose story it is and whose name appears above this line. No copying, in whole or part including translation, permitted. Sharing by blog link, exclusively. Thank you for respecting the transparencies of original writers.

littlebarefeetblog.com

The Exceptional Stranger.

The gurney is hard, the fluorescence above it humming. Nubbing legs dangle over the side of the frame, an IV port pinching the tender skin on top of my hand every time I forget not to move it. A single, nearly square corkboard on the wall beside holds a smattering of 9×12 memos, one of them hot pink. I stare at that one, mesmerized. How many among this newest crop of strangers will have seen their memo, that day, and would they be ready for the moment of my death?

The half hour preceding, high drama. Arrival, gasping with terror, the creeping itch encircling my face and crawling between my bosom, around, under my arms and across my back, and then the rear of the tongue rising to meet the pharynx, daring to close entirely, heart racing, skin clamming, the lights, lights so icy bright, the smell, always the smell of sterility.

These are the minutes over which nobody has any control. The roughly twenty odd ones after the puncture of Epinephrin and IV push of Benadryl, during which our father, Time, the only sure indicator of ongoing life vs. cardiovascular collapse. And, after four of these in one year, again left alone by strangers in the ER bay to ponder the outcome, mind attached to body gradually succumbs to the antidote of semi-coma.

Strangers. At the moment of theoretical death.

This is the realm of the anaphylactic.

Unlike those stricken with terminal illness or even massive stroke, the anaphylactic cannot feature the luxury of familiar faces, phone calls, cards and letters, even bedside caregivers who’ll call us by our name. If we’re lucky as well as fastidious, we’ll carry with us the proper packet of antihistamine or the Epi-pen, provided we are also completely able and willing to inspect every ingredient contained in every appetizer, entree, salad, and dessert offered by anyone beyond the scope of our own, protected kitchens.

Were we to be anybody outside of our actual selves, we might observe the scene at the neighboring table on a Friday evening – server, hunched over the menu, squeezing a pencil, forehead pinching, corners of the mouth twitching neurolinguistically to mask cursing annoyance, fixated guest rattling on about oils and additives next to a bewildered date mentally reviling why he’d been so determined to know this woman.

We’d not have been able to enjoy our own meal, what with the server hastening off to the chef’s lair to consult, report back, consult again, report back, smile assuredly, take the order, bring the order, take it back, the date leaning in toward the anxious female, arms folded across the table’s edge, eyes sucking into his head behind a smile stretched to its breaking point.

We might have left the restaurant with a social checklist ticking across our own foreheads. We’d have recognized the woman from having seen her on the various pages, she with her dubious references to multiple former lives. We’d have concluded many things. Clearly a narcissist, judging by the texture of her dark hair and the angle of her nose the spoiled daughter of he who sold back room numbers, she would just have to be spending everyone else’s time in public grasping for singular attention. Yes; siphoning the entire room of its last particle of energy, in her own mind she would be exceptional.

Exceptionality. The curse of the oblivious.

Cosmopolitan life renders a certain mass anonymity. When merely dozens are displaced by hundreds of thousands, that which is distinguishing fades from immediate view. Blending is both habit and practice; that which doesn’t easily finds enough of its own kind to forge new criteria for acceptability. By contrast, in small towns anything or anyone who is unavoidably different can become quickly pigeonholed, marked, recognized, and not in a good way. Traits borne by these are subconsciously dismissed as, ultimately, forms of weakness. Exceptionality becomes a force which both pulls and pushes, and that against itself.

The coronavirus has at once rendered every civilized center, regardless of size, homologous. All are flanked according to appropriate distance, masks obviating familiarity, no one a stand out by either class or station.

All, that is, except we anaphylactics. Our fears are inextricably distinguishing. Virus, or vaccine; we face the threat, of death, whether we do or we don’t. Statistically a tiny minority, exceptionality neither our excuse nor our defense, we remain the stranger.

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© 2/26/21 Ruth Ann Scanzillo All rights those of the author, whose story it is and whose name appears above this line. No copying, in whole or part, including translation without written permission from the author. Sharing permitted by blog link, exclusively. Thank you for your respect.

littlebarefeetblog.com