Category Archives: thoughts

The Present Mind.

 

It’s not that I never saw what Mum saw.

It’s that I never saw as she did.

My view of Mum was always from behind. Her back ever turned, either standing at the kitchen sink or seated at the sewing machine, this was a mother intent upon managing the household. And, fulfilling this charge was the daily commitment – task by utilitarian task. Born likely of deferred dreams, to her the home was more about its daily upkeep and less about the living beings who occupied the space.

But, occupy I did.

Whether sprawled across the davenport, face embedded in the corner behind the pillow, or planted at the piano, or poured into a novel……I was there. And, what I saw while known to be was driven by the images which first appeared in my mind. Pictures; stories, entire narratives, from a single seed of thought. Though my body lived in her house, I dwelt well outside of it — inside my head.

But, to Mum, whose immediate purpose was home maintenance, anything worth vision was populated by that which dictated the next, practical move. Dishes, crusted with drying food, waiting by the sink. Dust, coating the coffee table. Cluttered magazines, sleeping with newspaper. Dirty clothes, lounging about. These, she clearly saw, every day of the week and Saturday, too.

On the unavoidable occasion which brought us both into the same room, her raised voice would sometimes penetrate the air around me. In tones of exasperation:

“Are you just going to sit there, all day?!”

There was “work” to be done. Didn’t I see it??

No. I did not.

Oh, I saw the coffee table. I saw the sink. I saw the magazines, and the newspaper, too. These were all props, in a delectable scenario which morphed every time my eyes rolled back and to the left, never requiring my interaction. But, if they captured my fancy, I might consider the contour of the sofa pillow, or the crisp leaves of paper, or the outline of the scalloped table’s edge. Perhaps I would grab the sketchbook, and draw them into the still life of a given afternoon.

But — clean them? Straighten them into regimented rows? Why spoil a good lay out? Why wreck the whole picture?

Some fifty years have passed, since Mum moved about around me in the house we called home. Now, the novel coronavirus has been upon the planet for at least eight weeks of our current lives. None of us, whether absent or present of mind, can see it in any form. All we know is its power to manifest, in potentially life threatening proportions. And, because we are nearly defenseless against such invisible, yet diabolical, intent, we must gather our senses as if to battle. We shield our noses and mouths, attacking only that which must afterwards be thoroughly washed. We count the number of steps between our feet and those of the person approaching us on the sidewalk. We stare through the windows, instead of going outside at all.

And, as we look, we are called upon to see our surroundings as our mothers did, as they appear before us demanding our command. The layout of our lives has changed, fundamentally, for as far into the foreseeable as we are able to imagine. We exist framed in an entirely new panorama, one to which we must be accountable nearly every minute. With each blink of our eye we must be present of mind, lest we be found absent, forever.

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© 5/14/2020    Ruth Ann Scanzillo      All rights those of the author, whose perspective it is, and whose name appears above this line, literally.  Thank you for respecting original material.

littlebarefeetblog.com

 

 

 

 

 

 

 

The Autograph.

Mammy had an autographed photo of Billy Sunday’s wife.
She kept it in her Bible.
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But, why?
According to Wikipedia, William Ashley Sunday was an American athlete who, after being a popular outfielder in baseball’s National League during the 1880s, became the most celebrated and influential American Christian evangelist during the first two decades of the 20th century. Helen Amelia Thompson Sunday was his wife, an indefatigable organizer of his huge evangelistic campaigns during the first decades of the twentieth century, and eventually, an evangelistic speaker in her own right.
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Mammy was my grandmother. Born in 1890, she and Pappy moved to Erie from Scranton/Wilkes-Barre when Pappy was hired by BuCyrus-Erie to build cranes.
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She used to tell me of the tent meetings down state which she had attended, where she met Pappy. These were huge gatherings of people, who came together from all points rural to hear the Gospel preached by Billy Sunday. I believe Mammy recounted that she was led to the Lord by Helen Sunday, after one of these meetings. I also remember that, while she used to enjoy playing Solitaire alone in her bedroom, Mammy gave up the deck of cards once she got saved. I often wonder if thereafter she stopped playing the Key Game, which celebrated psychic skill and at which she excelled, as well.
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Mammy’s name was Mae Elisabeth Learn. She’d been second maid to a wealthy, Jewish brewer in the Poconos before meeting Henry. He courted her, to and from Sunday’s tent meetings, until the day he declared: “ You Mae Learn to be Sweet.”
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Pappy’s name was Henry Thomas Sweet, and his parents had hailed from Cornwall, England. When he and Mammy married and traveled to Erie, Pappy carried on Billy Sunday’s evangelism by preaching on the street corners. His was a hellfire and brimstone, Bible brandishing English orator’s style; with his booming, a-tonal baritone, he’d hand down God’s order to the vagrants: get up from the gutter! repent! and, get a job.
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When I look at images of Billy Sunday, I can’t help but note how much he resembled my grandfather. They shared cut features and a strong jaw and the same, resolute expression. Mammy did not resemble Helen Sunday; she had a softer countenance, and always bore a sweet smile.
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But, together, they had both responded to the call of evangelism proposed by Billy and Helen Sunday. They’d pulled up stakes and moved all the way across the Commonwealth to carry it forward. And, Mammy, who spent the rest of her days raising their four daughters, tending two flower and vegetable gardens and, together with Pappy baking hundreds of loaves of bread and both hooking and braiding rugs, sat in her rocking chair when day was done, Bible in hand, praying for everyone who came to mind, with Helen Sunday’s photograph just inside the cover of her Bible.
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I remember the year I met my husband. We’d been introduced through a mutual friend, whom we both respected greatly. Our friend, and his private teacher, was the principal oboeist of the Erie Philharmonic during the years when Maestro Eiji Oue held the baton.
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I had developed a deep respect for our maestro, which bordered on fixation. He had aroused every passion within me, from artistic to sensual to spiritual. He, however, had a strong preference for his principal oboeist, whose petite stature and feisty nature matched his own.
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My husband to be was enamored of her, as well; but, she was soundly married to the love of her own life, consumed by their mutual performing careers and and the raising of their four children.
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And so, each of us foundlings was brought together by stronger forces, upon the common ground of emotional commitment to another – he, to our mutual friend, and I to my Maestro. When my husband proposed marriage to me, the act was spurred by her very challenge; when I accepted, my anticipations extended to include the potential for an expanding realm of human connection which a bond with him would create. I would marry up, into a world which could include, by scant degrees, the object of my passions.
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Maestro Oue did not attend our wedding, though I believe we sent him an invitation, and both of us were sure to include our beloved oboeist in the musical ceremony. Our marriage lasted just over two and a half years (not counting the year of courtship), the second of which my husband spent living and working in Indiana, and it ended seven months after my mother’s death.
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I have two, framed companion photos of myself with our maestro. And, there is a Wheaties cereal box which features his image, nestled on the top shelf of my entertainment center in the music room of my home where I have practiced, rehearsed, and provided private lessons for 30 years.
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At the top of the box, just above the logo, in Japanese:
his autograph.
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© 9/18/19 Ruth Ann Scanzillo.   All rights those of the author, whose story it is and whose name appears above this line. No copying, in whole or in part, permitted without the author’s permission. Thank you for respecting original material.
littlebarefeetblog.com

“Separation Anxiety” [newly edited]

This video has been edited for content.  Please, reconsider a review.  Remember: these disclosures may strike you as raw, but they are bound to help somebody and that is the intent. Thanks~!  ❤

 

© 9/12/19    Ruth Ann Scanzillo.   For more tedious slog, please visit Ruth Ann Scanzillo at YouTube.  Thanks for the stop in.

littlebarefeetblog.com