Category Archives: personal ads

Vitality.

Dad2009
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Lately, the whole topic of what constitutes attraction has been pounding away at my not- so subconscious.
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Always having been among those who appreciated beauty in nature I have, however, been known to become madly infatuated with certain humans who do not possess what has historically been termed “conventional” good looks; namely, that excruciatingly high standard of physical symmetry has never been the prerequisite in order for me to become irresistibly attracted.
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Science has since pretty much, to coin a phrase, proved out the reason why. They’re called pheromones, first discovered in the mink, I believe, and now found to be present near the human nostril. Much like a hormone, as if we didn’t already have enough of these, this one governs the law of attraction; if male pheromones sniff out female, the chemistry is a lock and so are the two hapless victims.
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In my personal post-fertile years, though the poundage has remained relatively stable and the skin tone in a holding pattern I have noted a marked drop in the number of looks and/or advances from the opposite sex. Perhaps the absence of pheromones provokes a flat facial expression in place of the former, manic radiance of “come hither”-ness, the ready laughter at the slightest quip, the tendency to reach out and touch. Whichever the case, these pesky little chemicals are sleeping it off, and most of the time I feel secretly grateful to be free to go about my business with a new clarity of lucid purpose.
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But, enter the potential for a lasting partnership, perhaps those first couple dates. Is there something else, beyond the chemical, which gives the older girl a reason?
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I have to call it vitality.
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My father possessed this feature. The bound in his step, the lilt in his voice, the unmedicated, natural light in his eyes. The nimble quickness. And, his skin.
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He spent most of his time outdoors, from age 50 to the end, training for these crazy marathons at high noon. But, he downed gallons of water, never a drop of drink or a single puff, and ate wholly, rejecting all processed refined sugars and sodium, even eliminating white flour years before everyone knew why this was a good thing, and his skin glowed. The color was warm, moist, sunned without burning, lined without sagging. Everything about him had rebound all over it. He was vitally alive.
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Perhaps we have an instinct for that which we seek. We are in search of our kind, our complement, in my case the one who honors health and wellbeing. We want more life, and we yearn for someone who teems with it.
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Dad remained vibrant, engaging, winsome, and endearing until the final months of his 95 years. If my body keeps waking up every morning, I hope to sustain even half of his brand of vitality. And, maybe there’s one more man out there like him. I’ll take another deep breath, and hope.
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© 11/14/19 Ruth Ann Scanzillo. All rights those of the author, whose name appears above this line. Thank you for respecting original material.
littlebarefeetblog.com

Why You Never Saw Her Out.

Formerly titled:

RUTH ANN SCANZILLO,

Professional Pianist / ‘Cellist.

Dear Readers of littlebarefeetblog.com:

A few have pointed out that I have no professional website; herewith a brief history of my work in the region, as a preliminary bio for the future website. Dates are occasionally approximate because, well, I’ve been around awhile and the memory isn’t complete….thanks!

Ruth Ann Scanzillo

pianist; ‘cellist

PO BOX 3628 Erie, Pennsylvania 16508

DOB: April 26, 1957                                                                       814.453.3523; 814.881.5372

littlebarefeet@msn.com

EDUCATION

SUNY @ Fredonia, Fredonia NY

1975 – ’77 – Graphic Design/Printmaking;

1979 – ’81 – December, 1981: Bachelor of Music, Music Education, magna cum laude, concentration: cello – Dr. Louis Richardson, Professor of Cello;

1989 – ’94 – SAA Suzuki Summer Institutes, Stephen’s Point WI; Ithaca College, Ithaca NY; Chicago, IL; registered, Violin IA; IB; Cello, I, II, and III

PIANO:

Theater:

1975 – rehearsal/performance piano, Footlights Theatre, Erie, PA

  • “You’re A Good Man, Charlie Brown!” – Jane Behan, musical director

1982-83 – rehearsal/performance piano,  Lincoln Theatre, Erie, PA

  • “SUGAR” – Mark Moffatt, director;
  • “HAIR”  —  Mark Moffat, director;

1984 – rehearsal/performance piano/instrumental ensemble director, Erie Playhouse, Erie, PA:

  • “Ain’t Misbehavin'” – Leo Estes, John Burton, directors;

circa 1985 – rehearsal/performance piano, live scene underscoring, Erie Playhouse, Erie PA:

  • “I Remember Mama” – Charlie Corritore, director;

circa 1999 – Piano I,  Fredonia Opera House, Fredonia, NY:

  • “The Fantastiks” – summer stock cast; Harry John Brown, music director;

1999 – 2000 – rehearsal pianist, Mercyhurst University D’Angelo Department of Music:

  • “Song of Norway” — Louisa Jonason, opera director;
  • “Don Giovanni” —– Louisa Jonason, opera director;

2000 – 11 –  Production, direction, set design and build, live piano accompaniment and synth. keyboard underscoring, The Dillon Drama Club,  Grover Cleveland Elementary School, Erie PA:

  • Beauty and The Beast (final production assisting founder Carolyn Dillon)
  • Wizard of Oz (2002)
  • Oliver!
  • GREASE!
  • Annie, Jr (2009)
  • A Christmas Carol
  • A Christmas Story
  • Spanky and Our Gang (two shorts, original staged adaptations);
  • Star Wars (five movies, consolidated, original staged adaptation by verbal permission conference call w/ LucasFilm licensing);
  • You’re A Good Man, Charlie Brown (2011)

2011 – rehearsal and performance piano, Mercyhurst University, D’Angelo Department of Music/opera:

  • “TINTYPES” — Louisa Jonason, director (slated for August, 2011, West Bank Cafe, Manhattan. Hurricane Irene aborted); performed, September 11, 2011, Walker Hall, Mercyhurst University;

2015 – rehearsal pianist, “The Selfish Giant”, original opera by Stephen Colantti, Erie Opera Theatre, Brent Weber and James Bobick, directors;

2019 – performance piano, Keys 3, “MAMMA MIA!”, Cathedral Prep, Fr. Mik DeMartinis, director; Will Steadman, music director;

Collaborative/Chamber Music:

1986 – present:  piano collaborator for juries, hearings, college recitals and concerto competitions:

  • SUNY@Fredonia Conservatory of Music (1989 – 2008) – studios of Barry Kilpatrick, Marc Guy, Susan Royal, James East, Jack Gillette;
  • Edinboro University music department (1999 – 2014) – studios of LeAnne Wistrom, Patrick Jones, David Sublette, Robert Dolwick, Howard Lyon, Brad Amidon, Anne Wintle-Ortega;
  • Mercyhurst University D’Angelo Department of Music, vocal and instrumental performance departments (1999 – 2000; 2008-12) – studios of Louisa Jonason, Geoffrey Wands, Robert Dolwick, Chris Rapier, Alyssa, Scott Meier; and, with Shaun Pomer (1989) and Glen Kwok;
  • Erie Jr. Philharmonic Eiji Oue Concerto competition (1989 – 2013) – violin; trumpet; clarinet; tuba;
  • COYO Concerto competition, Cleveland, OH (2007) – cello; soprano;
  • Young Artist’s Debut Orchestra concerto competition (2007-08) – violin;

2011-12  – rehearsal and performance pianist, vocal performance studio of Louisa Jonason, D’Angelo Department of Music, Mercyhurst University;

2019 – String Trio, Caryn Moore, vln; Sunny Saunders, vla; self, cello; works by Pleyel, Boccherini, Haydn, Mozart, Beethoven, Massenet, et al;

Repertoire:

including, but not limited to:

  • Artunian; Bach; Barber; Beethoven; Bernstein; Bozza; Brahms; Britten; Creston; Chopin; Chaminade; Copland; Colantti; Dvorak; Franck; Grieg; Hartley; Haydn; Hindemith; Hummel; Ibert; Korngold; Loeffler; Mozart; Mendelssohn; Neruda; Piazzolla; Puccini; Rossini; Rachmaninoff; Ravel; Saint-Saens; Schubert; Schumann; Shostakovich; R. Strauss; Telemann; Vaughn-Williams; Wieniawski; Verdi; Von Weber; H. Wolf;

for the following instruments:

  • soprano; mezzo; tenor; baritone; bass;
  • violin;
  • viola;
  • cello;
  • bass;
  • clarinet;
  • oboe;
  • bassoon;
  • flute;
  • trumpet;
  • trombone;
  • Euphonium;
  • French horn;
  • natural horn;
  • tuba
  • marimba;
  • alto and tenor saxophone;

Orchestral Piano:

1989 – 2000   – Erie Philharmonic Orchestra, Maestros Eiji Oue and Peter Bay; composers: Copland; Korngold, et al   (film scores)

CELLO:

Orchestral:

1986 – 2013   — section cello, Erie Philharmonic Orchestra, Erie PA, under maestros: Walter Hendl; Eiji Oue; Peter Bay; Hugh Keelan; Daniel Meyer; Jeff Tyzik; various additional guest batons;

1986 – 2011 — section cello/Principal cello/harpsichord, Erie Chamber Orchestra, Maestro Bruce Morton Wright;

2011 – 2018 — Principal cello, Erie Chamber Orchestra, maestros Matthew Kraemer and Bradley Thachuk, musical directors, and various baton candidates;

1999 – present:  Principal cello, Bemus Bay Pops Orchestra/Chautauqua Pops Orchestra, Bruce Morton Wright and John Marcellus, musical directors; Chautauqua Pops Strings, Lenny Solomon, musical director;

Artist Pick up hires:

  • circa 1987 – Johnny Mathis, Erie Warner Theatre;
  • circa 1992 – Anne Murray, “
  • 2008 – Clay Aiken, Erie Civic Center;
  • 2015 – MANNHEIM STEAMROLLER, Red Tour, Erie Warner Theatre; 2020 – Green Tour, Erie Warner Theatre;

2019 – String Trio, Caryn Moore, vln/Rachael Brown, vln; Sunny Saunders, vla; self, cello; works by Pleyel, Boccherini, Haydn, Mozart, Beethoven, Massenet, et al;

Other Work History:

1986 – 2011 —  Public school music teacher, K – 12, School District of the City of Erie, PA  –  general/vocal and instrumental, including: marching band, choir, chorus, string ensemble, string orchestra, music appreciation, and special classes for the hearing impaired

1989 – present — Private studio teacher, Suzuki-registered cello (Books 1 – 4) and violin (Books 1 – 3).

Chamber Music:

2019 – present  — RECAPITULATTI!  Professional string trio:  Rachael Brown, vln; Sunny Saunders, vln/vla; self, cello.

Scholarships and Awards:

1975 – Card-Catlin Art Award, Erie PA – portfolio adjudicated;

1981 – Gaeliewicz String Award, SUNY@Fredonia; Hillman Scholarship, SUNY@Fredonia;

1984 – S.A.D.I.E Award for Drama In Erie :  Best Orchestra, “Ain’t Misbehavin”, Leo Estes/John Burton, directors; starring Wydetta Carter, John Burton, Michael Henderson, Tootie Howard, Marlene Spells…..

© 1/21/2020  Ruth Ann Scanzillo. I certify that the above information is true and accurate, to the best of my memory. John Burton may not have been a director of Ain’t Misbehavin’, but I believe that I am correct on all other points.  Thank you.

littlebarefeetblog.com

 

 

 

 

 

 

 

 

 

 

 

 

The Cheese.

 

Lisa worked in advertising.

Big, commercial advertising.

She was a music producer for Ogilvy & Mather WW, in midtown Manhattan.

And, she’d been my college housemate.

I can remember the accounts. Winter Olympics. Huggies Disposable Diapers. And, the piece de resistance: Folger’s Coffee…..the first, serial ad in anybody’s memory, complete with installments which brought a sweet couple together forever ( everybody hoped.) Hardly a word ever spoken. Just that knock on the door;  a lot of deep, eye gazing; and, the music, underscoring the whole story.

Lisa was always quiet around people. Like, silent. Applied music/flute morphing into a degree in sound, she was an aural learner, storing endless loops of tunes and calling them to mind in an instant. Rising to rank after assisting Faith, who retired to open a B&B in Santa Fe, her working girl day began with meetings. The video would either already be complete, or clients sat at table describing what they envisioned. Within minutes, Lisa would have several ideas, heading to the agency library to pull four or five reels for their perusal. One chosen, the edit would begin.

She performed all this grandly important work in the name of international (they had offices in London and LA, as well) product presentation. And I, her loyal housemate all those years prior, wondered with admiration and pride. There would never be a TV ad, from that point until the big layoff after her David was born, that didn’t pique my attention and respect.

Last week, CNN was drumming along in the background as I finished the pre-holiday preparations. These days, what with the new pause and rewind options provided by cable, I was wont to mute and FF when the commercials kicked in.

But, this one caught me.

A certain, familiar insurance company having dispensed with its inane gecko for the holidays, the goofy lizard had been displaced by two humanoids. Seated shoulder to back on a laminate floor, faux [ electrically flickering ] fireplace behind, equally faux brass poke and stoke set alongside, laminate paneling, the gushing couple faced camera holding drinks. The only notable feature of the man being his Persian blue contac lenses, the woman by contrast was bedecked: polyester ski sweater over a starched, button down shirt, outsized faux coral hoop earrings, haircut overgrown just enough to have required large rollers for shape, jeans and, just as the camera pulled back – knee high, faux leather, heeled boots.

Their only dialogue byte to pull me out of my stream of subconscious was a reference to “starring in a real commercial”. Might it have been the angle of her jaw, or the artificial lilt in her voice? I stared, momentarily, at her face. Suddenly, it all came together.

Perhaps I’d taken one too many cheap flight connections from Detroit to parts east. Maybe fussed just a bit too much getting strapped onto my seat in coach. But, somebody was watching. Somebody who’d replaced one of Lisa’s coworkers in video all those years ago. I didn’t have to take any bait, from GEICO or anybody else. Somebody, as I stood in the shoot waiting for my orange ductape labeled Travelocity carry on, saw me and said: “Ope. There she is. There’s our girl.”

Cheese is a favorite of mine. I like them all. Brie; Havarti; Colby Jack; Muenster; Feta; Goat; New York Sharp. If you need cheese, or cheesy, just call me. I’ll be sitting by the phone, branded, waiting for the role of your lifetime.

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c 1/1/19   Ruth Ann Scanzillo.   All rights those of the author, somebody who looks exactly like the person she isn’t, and whose name appears above this line. Thank you for respecting original material.

littlebarefeetblog.com