Category Archives: performance

public presentation; art, music, dance, drama;

Blessings in Disguise.

 

 

Two weeks ago, inexplicably, or as fate would have it, or Providentially, or whichever persuasion suits the reader’s bent, I tripped over my Stability Ball and crashed to the floor. Tendering a bruise the size of your fist on my left hip and a swelling injury to the outer wrist, being a professional musician I did not take this lying down. Oh, wait. Well, you get the picture.

Wouldn’t we discover that, being forced to juggle a performing schedule, I would choose to push back one event by a month, the full length recital for which collaborative piano was my commitment and which was to have been presented two and a half full hours prior to call for another ensemble performance.

As the referenced weekend approached, the demand from the rest of the music – one Bach Cantata No. 4, for which I was to provide cello continuo – soon became evident; had I remained committed to the recital date as well, the mental gymnastics would have been excruciating. Neuroplasticity is not the forte of the post-menopausal, nor is any inclination toward proving feats of extraordinary finesse. Ask your mother.

Quite without warning, perhaps due to a combination of immediate attention to emergent need and a diathermic dinosaur complete with pallets for paws at the chiropractor’s office, the wrist healed within three days. The Bach, rumor has it, was exquisite.

Bach’s music is always exquisite. No respectable musician ever takes the credit. Oh; and, the flute student for whom the recital was rescheduled would reveal no small relief at a reprieve of several weeks. So, one full on resolution for the composition book.

Within days of the performance of the Cantata, I joined the Y.

Yes. That was an abrupt modulation. Middle aged women hold the monopoly. Tell your father. Having narrowly escaped a ruptured ulnar ligament, I’d call it gratitude.

Traveling light being the preference of the standard cellist, I arrived with application form completed and my driver’s license in hand, for verification. When it came time to head to the track, simultaneously discovering that I had no pockets outside of the jacket which would take its place on the wall of hooks, I reached down and slid the license into the elastic belly band of my yoga pants.

Two miles later, and eighteen solid months of support cushioned, sofa seated decompensation, my right hip flexor hit raging revolt. Off to the chiropractor, for round two.

He, being the intuitive by practice, rejected my presumption toward decompression and began to manipulate my lower appendages like a pretzel maker’s apprentice. The volume of vocalizations generated from deep in my diaphragm embarrassed all the men in the waiting room, but he would show no mercy. This is the role of the healer, after all; pain is proof.

It wouldn’t be until I’d been home for over an hour that any realization would come.

My driver’s license. was. missing.

In full celebration of advancing age, I searched the pockets of my coat. Then, the corners of the car seat, and between, and across the drive to the brick path leading from the house, and again. After which, the phone calls ensued – first, to the administrative offices of the Y, complete with reprimand regarding the absence of fair warning with respect to theft on premises; then, to the chiropractor, asking for complete search of the chair and examining table. Lord knows, the pretzel I had assumed that afternoon was convoluted enough to dislodge a gallbladder, let alone one flat, laminated card placed squarely beneath my bellybutton.

Earning nothing whatsoever except a round of apologies, I loaded my ammo for the email onslaught. No amount of ten plus years in the service industry would permit me any compassion toward any part time temp who cared insufficiently for my encroaching needs as a woman old enough to be everybody’s mother. I mean everybody. Give me the old woman’s shoe. I’ll make it my palace. What are you looking at?

The mind’s tricks are unfathomable. They lie in wait to deceive. The tactile memory of arising from the commode infiltrated like a stealth trooper, accompanied by fleeting contact between object and point of arrival. Inorganic object, to be sure; this was no common lavatory caper.

I looked down at the belly band of my yoga pants. And, then I remembered. Lifting it, I did what every bewildered existentialist did in the ’60s: I stared at my navel. I had no choice. There was nothing else there.

Convinced that I had flushed the driver’s license down the toilet, I made the requisite, illegal trip up the miracle mile to the DMV, declared mine to be the Story of the Week, paid the $27 fee, and drove legitimately back down the hill for home.

Then, just as my mother before me, and every other Daughter of the Great Depression (look it UP), I dug out the recently acquired, turquoise LED flashlight from the ValuHome dollar bin, and the scalloped foam Outdoor brand knee pad, also strangely turquoise, and made one, final, dedicated effort to search the depths of the car floor for the license.

Setting the pad on the driveway cement, I placed my dormant knees on the turquoise foam, crouched forward, and stuck my whole head of smelling henna under the front seat.

No generational equivalent of illumination could have prepared me for what that mini-LED wand would unearth. There, between, the seat and the gearshift compartment, lodged in that raw, steel Mechanism of Death, was a white, laminated card.

The Highmark. PPO. Blue. medical. insurance. card.

The one I’d blamed the local ER intake department for retaining. The last time I’d presented with migraine induced vertigo. That one. Don’t point. Pointing is rude.

Now, most west side Italian girls were raised Catholic. I’m an east side transplant. This is enough to skew all the statistics, baffle the bigots, and make the idiots really angry. But, I will thank the Patron saints, the ones who protect all those who travel and those who search, for listening, loving, and then teaching even the oldest woman in the room that blessings always arrive in the shimmering, brilliant, mystery of disguise.

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© Ruth Ann Scanzillo 4/16/16     All rights those of the author, whose name appears above this line. Thank you for your respect. And, please. Don’t stare.

littlebarefeetblog.com

 

 

 

 

 

 

 

Birthed.

 

The American musical is ubiquitous. Sooner or later, all that is popular finds its way into the genre that delivers singing, dancing, singular sensation. Ever since opera buffa drew the local crowds to the town square, promising momentary diversion from war, pestilence, plague, and stench, humans have craved the escape of pure entertainment.

Enter Steven Sondheim.

A boy, born to a woman who loved a man who left her for another. Said child to learn at the feet of the greats – Oscar Hammerstein, Jimmy Hammerstein (Jimmy Hammerstein). Leonard Bernstein.

One would have thought that, bathed in such saturating influence, the young composer would have churned out second rate imitations of the icons who surrounded him. But, there was another factor at play, one that would be profoundly key to what would ultimately distinguish him as the social commentator of the age.

But, to reveal it would give away the heart of the story.

Steven Sondheim, for any musician from any genre, for any poet, for anyone who loves or has loved, for any student of the human condition…….people, you know when you come home from a session with your therapist, and all you can think about is how much money these people make for telling you to breathe deeply when you’re angry? Last weekend, I saw this man’s definitive autobiography, “Sondheim on Sondheim” at the Erie Playhouse. If you are privileged to see any production of this blended retrospective of his work, two full acts which he narrates on accompanying video, be sure to stay until the end. If you do, you will see into a mirror that will show you what you never before realized, feel things that you didn’t even know you needed to or could, and be floored by what is revealed.

As in his very life, the experience will tear you up and put you back together, like nothing else. It’ll be all the therapy you’ll ever need.

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© 4/15/16  Ruth Ann Scanzillo     All rights those of the author, whose name appears above this line. Thank you for your respect.

littlebarefeetblog.com

 

 

Just Do.

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Last week, Gary Viebranz said something striking. Now, anybody who actually knows Gary will find that statement amusing; indeed, he says something memorable every time he exhales air. The man is a comic legend.

But, beyond that. We were walking out of the Reed Union concert space, Penn State/Behrend following a wonderful performance by the Canellakis Brown Duo at his acclaimed “Music At Noon” Series last week (I missed today’s guests), and he said something to this effect: ” It’s nice when audiences appreciate performers, and performers appreciate audiences.”

I, of course, let being struck by that nestle in my ruminating lobe.

It’s funny. Have been almost embarrassed, as a fairly recent public blogger (just over a year and a half, this month) to admit how little I read published authors. Of equally awkward admission, having spent the past thirty years as a professional musician, I listen to far fewer fellow musicians than my colleagues. This is likely quite anomalous among performing professionals and writers. I do support them, and try to attend, but admit to finding what I need elsewhere.

Yes, I am devoted audience to two other art forms: drama, and dance.

Great acting absolutely fascinates me. I live for the story. Dance, equally so. Why? Oh, I love to dance, and had a blast taking some swing and salsa lessons; but, this scoliotic body, with these feet? Come on. I was definitely born to be audience in their room. And, when I am, nearly every moving image populates my imagination thereafter.

As for acting, well, I do dream. Would love to take a stab at a bit character. But, the sheer volume of memorized utterance is flummoxing; how they do it escapes me. Yet, what they do informs both how I think and what I create. To every single second of their offering, I am completely committed.

So, let’s just all relax. Stop the infernal, internal judging. If there’s a show, and you are busy creating, then you are where you belong. Be audience to just exactly whatever it is that feeds your fuel center. Take in what you need; then, go, and do. Please, do. Make something beautiful.

But, when you are the audience, immerse yourself. And, remember to appreciate your fellows, earnestly, even if it is in recording after the show. Locals, if you’ve never caught “Music at Noon” over at Behrend Campus, the quality is unsurpassed. Yes; even though some were born to write rather than read, to play rather than attend, just keep looking and listening.

And, then, like Yoda said: Just do.

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p.s. While we’re at it: Actors and dancers: check out live music, in a genre unfamiliar. You might get some unexpected nourishment!

© Ruth Ann Scanzillo  3/1/16  All rights, please, to the author; however, sharing by ReBlogging and permission. Thanks so much.

littlebarefeetblog.com