Category Archives: classical music

Name It.

 

Last evening. Yet another Friday night.

The debut of a university chamber orchestra.  A big band.  And, “The Music Man”, in concert.

Having failed to mark not one, but all three really worthy performance events on her calendar, she’d found herself in the kitchen – occupied with the contents of a voluminous, stale smelling cardboard box overflowing with charity collectors, mail order catalogs, medical documents, and receipts, material to which she would affectionately refer in disclaimer to visitors as her “household flammables”.  And, emanating from the laptop, mounted on a chair to her left: Tara Brach’s podcast, Awakening Your Fearless Heart.

The latter being the primary intention, this belated sorting was a manifestation of necessary yang to Tara Brach’s yin; and, on this night, she’d forsaken a majority of her colleagues’ live musical offerings to position herself at home, as mediator.

Her house was a load, a prohibitively inhospitable space cyclically overtaken by stuff which could ignite in a heartbeat. These people who had long since graduated to online banking, online mailing, and online purchasing had left her in the awe of their wake. She was a pack rat, the residue of a generation doomed to save.

As she sat, self-righteously separating out the home improvement brochures from their neighboring Harvard health letters she attuned to Tara, who was underscoring these efforts with measured, modulated monikers for successful triumph over human failing.

Be Mindful. Be Present. Name the feeling; know the Fear. Call it out.

She knew what to call it.

You don’t begin life in the shadow of a much older sibling who happens to be male, the only daughter of two parents with diametrically opposed needs (inheriting the lion’s share of their strengths and weaknesses ) without learning to expect equal parts indoctrination, condemnation, and exploitation.

She knew fear. Knew it viscerally, in the cinematic mind inherited from her father, colored by the surefire flames of Hell and the rapturous hope of the heavenlies. She knew it in the sectarian dogma to which her mother had dutifully ascribed, pinning and then initiating her headlong into the warm fellowship of jealousy, envy, gossip, and slander. After all, if “come out from among them, and be ye separate, touching not the unclean thing” was the dicta, then surely all those found either haplessly or willfully just outside of the gate were of all things most contaminated and worthy of immediate rejection.

Decades hence, she would be the master of branding. She would know, in a millisecond, which sin-laden emotion drove any action – in both herself and, formidably, others. She’d learned at the feet of the Sunday School teacher, and the Gospel preacher, and the demons that left prints on all their glass houses. Tara Brach’s multi-headed gargoyle deities would have nothing on her scary story.

But, the guru of inherent good would not be moved – not by anyone’s notions of self-defeat. Brach, too, sat, presiding at a podium, smiling out across the unseen throng of attending participants and, in tones barely penetrating, gently gathered them all into direct self-confrontation.

She wasn’t at all sure she’d wanted a fight, that night. Trauma wasn’t something to be addressed in adherence to some syllabus. You didn’t relive its destabilizing pain in a conference room, or even a warmly lit kitchen. Only God as Infinite Wisdom would have known the protective power in a box of junk mail on any other evening.

Her recognition came in a flood. She allowed it. Inspecting, she both identified and then freely detached.

Anger at being displaced in musical collaborations was supplanted by her own creative efforts. Fear of being left out was diffused by the comforting company of her imagination. In short, by being present in the moment, recognizing her primary motivations, allowing their validity, inspecting them for corrupting influences, and finally submitting to the greater consciousness, she was liberated. Liberated, to clean the kitchen on a night when half the population was sitting in somebody else’s audience.

But, missing “The Music Man” ?

Regret. Transcending even guilt.

Ye Gods.

.

.

.

© Ruth Ann Scanzillo   5/14/16   All rights those of the author, whose name appears above this line. Thank you for your respect. Good night, my Someone.

littlebarefeetblog.com

 

 

 

 

 

 

 

 

The Grand Equalizer.

 

A couple nights ago, in the midst of post-Presidential Primary furor and cresting to the height of their vigorous political panel discussion, somebody on CNN farted.

Now, we’re not talking your fleeting emission. This was a massive gasso profundo, one that could only have come from a colon of awesome dimension, stretched to its ultimate limits of retainment. This was the Grand Prize Winner of all Wind.

I was so gobsmacked, I actually stuck around until the whole news segment revolved, just to see what the audio crew would do with this monstrosity.

Perched on the edge of my buttocks, I waited with poised anticipation for the slightest of scant, aberrating vibrations.

And, then……

Nothing. Absolutely no sign of the mortifying mortar – apart from a deftly inserted, if faint, moment of Muzak, just as the camera pulled back to display the defendants’ line up.

Yes, CNN was nothing, if not prepared. I knew, at that instant, should the planet suddenly find itself under siege by unrecognizable life forms, this giant of the news circuit would be ready to photo and audioshop anything anybody on earth was absolutely certain had been seen and heard. Alternate reality was already in da house.

Even when whatever a pundit had for dinner refused to submit to digestive enzymes, anybody could be rendered the picture of virgin, if probiotic, equilibrium. We live in an air brushed, auto-tuned world.

But, just what are these public personae consuming? Is there some kind of sphincter syndrome plaguing our pontificators? Or, have they all been overcome by a fetish for the fanny fortissimo?

In my day, farting out loud was the predominant domain of the 8 year old boy. Oh; and, his father, on some joint expedition to the great outdoors. I even had a college professor, whose genius expanded to include a profound appreciation for the full on function; Dr. Walter S. Hartley*, composer, multiple ASCAP award recipient, was known to cut one loose, stop, raise a pointed finger, grin mischievously, and declare: “I believe that was a B-flat.”   then, lumber off, with the weighty gait of one whose cranium could barely contain its contents, leaving all to ponder the pitch potential of their own pooter.

Yes; uproariously hilarious to them all, we girls and various other civilized creatures just reserved ours for the appropriate time and place – being sure to strategically flush if guests were in proximity, of course.

But, this? Google “farting on Tv”, and you’ll be mildly alarmed. The women outnumber the men – and, most of them are either broadcasters or politicians.

One could speculate.

The media’s been catching a lot of flack, lately, regarding its veracity. Truth, in fair and balanced reporting. The profession used to be populated by the noble and impeccable, those who embodied what we all called “dignity.” Now, in the interests of appealing to a “wider demographic”, perhaps we’re settling for something that masquerades as the “human” element.

Either that, or the Euro-American diet finds itself at a crossroads. Consult your local gastronomist: health-conscious vegetable smoothies can’t be paired with bacon fat without explosive consequences.

Maybe we should be grateful for the technological touch ups that seem so essential, anymore, to our socio-professional survival.  After all, we’re a cross cultural melting pot, now, and the models held up for our children are coming from the four corners of the earth.

And, that, if nothing else, puts a whole new spin on blooming where you’re planted!

***

In Memoriam

Dr. Walter S. Hartley

February 21, 1927 – June 30, 2016

.

.

.

.

.

© 5/9/16 Ruth Ann Scanzillo  –  All rights reserved by the author, whose name appears above this line. Thank you for your respect. Now, pass the Grey Poupon.

littlebarefeetblog.com

 

 

 

 

 

Modulating Jane.

 

Jane Sanders is speaking, right now, in a Wolf Blitzer interview at CNN.

Jane is Bernie Sanders’ wife.

I’m a musician. A musician, with some significant background in voice.

With quite a bit of experience, singing solo, and singing in ensemble and, given a history teaching marching band, with nodes, cord surgery, and follow up voice lessons with none other than the world’s most enduring Madama Butterfly, Louisa Jonason, yes.

I know the voice.

You can tell a lot about a person by the sound of that person’s voice.

It’s called modulation. The voice is either shrill, raspy, tight, muted, or well modulated.

Jane Sanders’ voice is beautifully modulated.

This suggests that she is a woman of inner calm. She takes time to breathe. She takes time to listen. She does not push into the auditory realm; she simply enters, with grace.

You can also tell a lot about a man by observing his wife.

I think everybody, and I mean everybody, should do a search for that Blitzer interview which just took place on CNN. Between 1pm and 1:15pm, EST, today, April 21. Watch Jane Sanders speak, and listen to her voice. Hear what she says.

You’ll be finding out a lot about the man you should be seriously considering as your candidate for President of the United States. And, it doesn’t matter if you are a man or a woman.

.

.

.

© Ruth Ann Scanzillo 4/21/16   – littlebarefeetblog. Please share this post!  Thank you!