Tag Archives: Braveheart

Recycling The Insufferable Optimist.

She couldn’t get into the house quickly enough.

The idea for her next piece had come during a drive around the local state park, taking in the last burst of color before its erasure by the wind. She was anxious to begin. The title alone was so compelling; she could already feel the thing writing itself.

Yet, oddly, a thought intruded: one quick Google might be in order. Best to rule out whether her gem had erupted from another in some deep, subconscious past.

Fearfully, she pulled up the search bar. Sure enough; at least two, both of them published, had already coined the phrase, one as far back as 1997. The moment was heart sinking.

Her mind sought solace, in reverie.

1997. That had been a year. She’d spent its post-Braveheart winter completing a screenplay to star Mel Gibson, the summer gallivanting up the California coast and across to the UK for the Edinburgh Fest. No time for a book review, let alone a book. Besides, her larynx had developed a pesky resistance, stuck in head voice for hours at a time; and, forced to leave her precious elementary string program (bumped by a seniority bid) she’d endure the fall and early winter teaching middle school chorus, reduced to a rasping breath by day’s end.

Come spring, after a bout with bronchitis which had left a three week hack in its wake, her fate seemed sealed: laryngoscopic surgery, slated for St Patrick’s Day, in Pittsburgh. She’d spend the rest of 1998 enduring its laser focused rehabilitation. No time for a leisurely book review, or even a book; the risk of absent minded coughing or even throat clearing lurked, at every moment. No time, either, to take a phone call from a prospective literary agent. Besides, while away she’d let a frustrated creative house-sit; he’d used the phone she’d dictated as off limits because of its receiver’s annoying habit of cutting the line. Had there been any call backs, none would have registered.

Her next pre-emptor appeared in 2015. They shared one commonality; both were anonymous bloggers, casting their carefully cultivated and diligently edited pearls before any number of earnest freshman composition students and swine.

The most recent, in spring of 2020, would be by far her most formidable: former CEO of the aforementioned search engine monopoly. Perhaps he had sent her routing out the competition with a penetrating thought weapon. After all, how dare anyone attempt to supplant his definitive take – on anything!

So how, now, to proceed? Pretend that she somehow possessed a distinctive version of an image so vivid, indeed more timely than ever?

Unlike her predecessors, hers was neither embodiment nor apologism but a sweeping observation. Her intent was to characterize those who could not or would not bow to prudence, refusing or unwilling to acknowledge the gravity of either forewarning pronouncement or prophecy. She would out every leap of faith, all abdications of reason, each act of denial in one grand gesture of indicting condemnation. If she had anything to say about it, the virtual world would be wiped clean of the last of the insufferable optimists.

Yes. Pessimism would have its day.

And, that season couldn’t come soon enough.

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© 10/25/2020 Ruth Ann Scanzillo. All rights those of the author, anonymous or no, whose name appears above this line. No copying in whole or part, including translation, permitted without written permission of the originator. Sharing encouraged, by blog link only. Thank you!

littlebarefeetblog.com

James Horner

The first time I ever heard the name James Horner was out of the mouth of my friend, Lisa. Lisa worked, for about fifteen years, as music producer for Ogilvy & Mather WW. She was also my college housemate at SUNY@Fredonia, my listener, and the most discerning ear I ever knew.

After she drew my attention, I began to pay the same to James Horner. I waited through the credits, always ’til the very end, for the film to finally acknowledge its composer. As a performing orchestral musician myself for most of a lifetime, I never could understand why music was nearly last on the list – past gaffers, catering? it seemed, past most everything considered worth any recognition. A movie without great music was a predictable flop, and one lucky enough to secure James Horner, I concluded, was a sure thing.

The first film music he composed which captured mine was BRAVEHEART. Clearly, I was late to the party. I would learn to expect the solo motives  and sweeping harmonies to carry me across the miles and miles of heart-rending grief, grisly violence, climactic action, tragedy, heroism. I doubt, seriously, whether we watchers would have held out to the end for William Wallace were it not for the rich sonorities which alternately drove us, seduced then succoured us, buoying us through. Perhaps Mel Gibson, himself, would agree.

Like, I suspect, Horner’s personality, the real beauty of his offering lay in his unassuming presence. One who notices the music in a movie is already distracted; rather, as true underscoring, music should always be the ship that carries us so expertly so as to make us forget we are even on the sea.

And, importantly, Horner was true to the symphony. While so many aspiring film composers were rallying around the latest technological short cuts, James was a real musician’s musician. He understood the enduring value of full orchestration – strings, winds, brass, percussion. His music both honored, and preserved, this art form for so many of us.

James Horner’s credits are legion, and most of them have to be searched to find. For every film he fully composed (118 in all, including the aforementioned Braveheart; Titanic; Troy; A Beautiful Mind; Spider Man et al), there are an equal number of those for which he served as uncredited conductor, or merely instrumental soloist. All these contributions, taken together, defined his role; he was everywhere, yet probably rarely noticed.

I don’t know why so many icons in their own generation need small planes. Maybe these seem, at first glance, to be the ultimate, autonomous liberation; not much bigger than a pick up truck, yet capable of providing hours of solitude and comparative silence and a view so expansive so as to take one outside of all one’s own confinements, real or imagined. Yes; I suppose the temptation is strong.

I just wish they were a reliable vehicle for transport. Too many of them fail, for too many unforgivable reasons. And, they bail on the very ones who would not dream of failing anyone.

All I know is, the world lost yet another precious artist, self-effacing giver of the kind of beauty that sought to preserve the true romance of an heroic age we may never know again. He was always about the story, rather than his own musical self-promotion. James Horner transported us, effortlessly, with every lone melody, with every rich texture, with every phrase that took flight.

I will miss him as I do the beauty of my own, receding generation. I hope his soul soars high above us, ready to release droplets of symphonic splendor into eager, fledgling hearts.

Our stories always needed the kind of music James Horner gave us.  And, we ever will.

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© Ruth Ann Scanzillo

6/28/15     All rights those of the author, whose name appears above this line. Share with permission. Thank you.

littlebarefeetblog.com