Category Archives: performance

public presentation; art, music, dance, drama;

To the Third Power.

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In my senior year of high school, due to an oversight by the guidance counselor, I ended up choosing a higher math class instead of taking civics. Hated math, quit the homework, ended up with a D in the final, and saw my class standing drop from 18 to 26 – missing the highest honors by just a few points. It wasn’t until the last week of school that somebody told me I didn’t even need that math class to get accepted into college.

Nothing makes my blood hit boil faster than being told I should have done something differently.  Oh, except, maybe, being told that I should have done differently because my actions will have had a negative effect on outcomes, whether mine or those of another.

Since birth, I have been a creative. This means that, without knowing whence the impulse originates, I have been moved to make something – whether story, song, or visual image – and that, daily. Sometimes hourly.

Creatives don’t take kindly to being assessed for either their inherent value or the value of that which they are producing. During the creative process, there is no conscious attempt to meet any external standard. Praise is always thrilling, but that comes after the process has come to a close, and has no direct cause/effect relationship to the process itself.

Deadlines are the bane of the creative. We use time according to the nature of what is being made. If external deadlines are imposed, total control over the outcome is interrupted, and the quality of the end product correlates directly.

However, even in the life of a creative there are processes that take a line of reasoning, instead. Rather than make something, we are sometimes called upon to draw conclusions about events or people, taking any action where deemed appropriate.

Major decisions, regarded as important both by self and others, this creative makes with very great deliberation. Weighing multiple factors, I seek out as much information/data as can be obtained.  Once I determine that I have sufficient data, I draw my conclusion and then I act.

Now, such data to me might be factual, or it might be impression-based. It might be intuitive, knowing no linear path, or historically correlated. I suspect that what is required of the brain during the creative process is brought to bear in this reasoning, but how or where or wherefore I could not say.

What is key: I determine that I have sufficient data at the moment when I see my conclusion in sight.

With regard to the recent Presidential election, I can safely say that I spent hours of days over a period of many months gathering data, and then deciding which factors played a role in what I determined independently to be the priorities.

The wild card factor played a significant part in my readiness to meet its deadline.

When that wild card played, I came upon a vital collection of data within a time frame that had a rather sudden death effect on my final decision. Up until that point, I had gathered a wealth of impressions, and some facts; but, my nagging intuition kept informing the process, suggesting conclusion. This vital collection of data was historically relevant in nature; once I entered it into the equation, my entire body released all inner tensions. I knew that I had reached conclusion.

At that point, my vote was ready to be cast.
I chose a third party candidate, one occupying the outermost fringe of the landscape.

Post election, the uproar about those of us who chose to do so was almost violent. An entire army of party driven players since declared, some using allegedly mathematical calculation, that we who chose a third were the single, collective entity which decided the outcome of the election. And said party, convinced in their own minds that said outcome was absolutely vital to the survival of the species, deigned to pronounce the most condescending of judgments upon us.

No challenge to either the reasoning or the relative value of any voter’s decision is relevant, here. By applying a tiny percentage of votes not cast for one candidate to a total outcome, and discounting the massive percentage which weighted the lion’s share for the other candidate, those who do so only make themselves out to be Draconian imperialists, runt Napoleons pretending to fight Goliath with a jelly bean.

Being reactionary serves no one. Indulging in melodrama inhibits constructive solution. The third party may have wielded a mighty little exponent; but, each majority on either side of the equation still bears the responsibility of solving for x.

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© Ruth Ann Scanzillo  11/10/16     All rights those of the author, whose name appears above this line. Thank you for your respect. I Voted. Pardon Julian Assange.

littlebarefeetblog.com

Pittsburgh Symphony Musicians Take Charge!

Ahoy!

The management of the Pittsburgh Symphony has threatened its musicians with a lock out, attempting to impose a pay cut which would reduce them to a second tier orchestra, and making noise about hiring substitute players.

THE MEMBERS OF THE ORCHESTRA HAVE CHOSEN TO PERFORM, ANYWAY!

Since Friday night’s concert was to have been CMU night (Carnegie – Mellon), Carnegie-Mellon University has graciously provided their Kresge Theater as a venue, and the musicians will perform Friday, after all – FREE, to all public, including those who had already purchased tickets to hear the originally scheduled concert at Heinz Hall.

The concert begins at 8:30pm. this Friday, October 7th, at Kresge. God knows where that is, but I’ll find it.

I’m so proud of these musicians. This is just a brilliant solution – bring your audience with you!!

We are there.

SOLIDARNOSC.

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Ruth Ann Scanzillo, principal cello, ERIE CHAMBER ORCHESTRA, ERIE PA

AF OF M LOCAL #17.

 

 

 

 

 

 

SOCIAL MEDIA: It Was Supposed To Be A Party.

 

Dear Social Media:

[The ones who haven’t hidden my posts.]

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It’s been 7 years. Is this the itch?

Here’s what I think of our relationship. (Like a good therapy patient, I’ve made two lists): Good Stuff and Not So Good Stuff.

Good Stuff:

  • Re-acquaintance with old friends, remote family, DNA determined ancestors, and former students;

  • New friends, some special and close;

  • Community Bulletin Board announcements, including:

          a.) “In a ‘relationship'”; b.) marriages, c.) births; d.) pet acquisitions; e.) deaths;

  • Photos and video of fine art, music, dance, soccer goals, and drama;

  • Promotion of performance based events;

Not So Good Stuff:

  • False picture of the social landscape in the real world;

  • Subconscious drive to “keep up with the Jones’s”;

  • Political proselytizing, not always fact-based;

  • Passive-aggressive verbal warfare;

  • Flat out braggadocio;

Consequently, each of us has unwittingly submitted to a cinematic characterization of ourselves that distorts public perception.

The Introvert, Extrovert and Ambivert: It’s a @#$% Party!

Introverts rarely post; they read, and draw conclusions. Extroverts enter one liners, then leave the house to actually go and be with their people. Ambiverts, caught between creating in print and communicating with intent, post excessively – leaving themselves wide open to extrapolation and interpolation, only to wonder why cliques shun them in public.

The Interpretation

We have come to interpret reactions to our persona on social media with far too much of the alternate angst, delusion, and regret. The Blocking Feature has been deadly, cutting off all hope of public reconciliation; it’s as if that 3 foot barrier in three dimensions has taken on an anti-gravity shield, distinct from any currently being employed by the alien civilization presently closest in proximity (sic) to earth.

And — how many of us knew it was just a @#$% party!?

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© Ruth Ann Scanzillo  9/30/16    – All rights those of the author. Thanks!

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