Tag Archives: Carter Brey

KEEP YOUR MONEY.

URGENT:

Dear beloved members of the Erie Chamber Orchestra audience: KEEP YOUR HARD EARNED MONEY.

Via a letter mailed to all patrons of the ECO, Gannon University is luring contributions. Do NOT give any money to Gannon, on our behalf! The money they receive will not come to us; it will be redirected to another, distinct entity.

Our ECO manager just told me, in print, that there are sufficient funds in our ECO budget to completely cover the cost of our final concert in April. Any money you send to Gannon, at this time, will therefore be considered “surplus”, and THAT money will never reach us.

I have that information, straight from the horse’s mouth.

The whole thing smells of some attempt to bolster funding for the hand-off initiative created by Gannon which, on the surface, appears to sustain the “dream” of Bruce Morton Wright. It doesn’t; rather, it sidelines the vast majority of his orchestral musicians, indeed the entire orchestra, selecting only the handful from within it who already have contracts with the other orchestra. Bruce was fiercely loyal to each and every one of his musicians, and eliminating even one of them from any effort which takes his name is nothing short of blasphemy.

By the way, citing Bruce’s historical role on the Board of the other orchestra is also deliberately misleading; disaffected, Bruce withdrew from that Board, years and years ago.

So, stop.

KEEP.YOUR.MONEY.

Wait for the actual Erie Chamber Orchestra to provide you the information you may seek. Attend our final concert, April 28th. We’d love to see you!

Thank you.

 

Sincerely,

Ruth Ann Scanzillo, principal cellist

ERIE CHAMBER ORCHESTRA

member since 1986.

 

© Ruth Ann Scanzillo   3/21/18

littlebarefeetblog.com

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Carter Brey’s Cadenza.

CarterBrey's Cadenza.

On March 17, 1987, New York Philharmonic principal ‘cellist Carter Brey performed as touring soloist with the Erie Philharmonic. At that time, I was a hired member of the EPO cello section. Rococo Variations and another work on tap, his selected candenza was one written by famed ‘Slava Rostropovich, who had been his principal teacher.

After its rehearsal, I approached him in the wings with what could only be termed the vacant, simple-minded slog of a bedazzled twenty-something, who had squandered all hope of scholarly insight by daydreaming during Cutler Silliman’s music history class.

“So…! What did you think of the cadenza?”, he tried, looking at me keenly, with expectation.

My response was incoherent.

(Twenty-seven years hence, that loop would replay in my head like the Voice of Chucky.) Hell bent on redeeming myself, I’d scuttled home and gotten to work. The result: this little morsel, which he would receive from me in snail mail. A copy, of course; I’d kept the original, just in case I’d wake up, say, twenty seven years later and realize it had all been a………..yeah. Time to learn the tune.

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© 1987 lettered collage by Ruth Ann Scanzillo, presented to Carter Brey that same year.

Originally published at littlebarefeetblog.com, with accompanying caption,  © November 20, 2014; Re-Posted on March 17, 2016

All rights strictly reserved, on the artwork and the blurb. Thanks. — Ruth Ann Scanzillo

littlebarefeetblog.com