Category Archives: memorials

The Date.

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*Originally written June 28, 2013.

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About twice a year, this girl deep cleans.

It’s about being a grand-daughter of the Great Depression.

Mum, the daughter, saved everything. Only she was a sorter. There were jars in the cellar, each filled with whole items according to size and shape. A jar for nuts. A jar for bolts. (She worked a semi-automatic machine during the war.) A jar for screws. A jar for nails. A jar for brads. A jar for rubber bands…..

Me? I’m a chaotic. It’s all there, just……..in a sea-salad of the casually-tossed, collecting for a majority of months, sometimes, in a single calendar year……until the dining room table slowly sinks out of sight.

This week, the tablecloth finally emerging, the last nine items stacked neatly by my purse so as to be addressed tomorrow, there remained one smaller pile – of greeting cards. Half were blank, awaiting use; the other half, those too precious to throw out.

Carrying these to the secretary for precise placement, I spied another which had been set aside on the cedar chest. Reaching for it, I was startled to see the handwriting inside; it was from Dad.

A note from Dad was always a keeper. His having reached the 5th grade at the Walter E. Fernald School for the Feebleminded back in 1925 without a mother or father to help him with his homework, Dad’s penmanship was a curious, halting conglomeration of large, stylized caps and illegible lower case, as he expertly compressed his rare uncertainty about the spelling of words between inflated left-handed lower loops. Yet, ever the entertainer, the rhythm of his elaborate speech was woven into the writing, and I sat down to read once more what would be his final note to his only daughter.

But, most amazing was the date at the top.

This was a blank card, in fact a Thank You note that he’d selected from a miscellaneous box. Floral on the front, a simple “thank you” inside – and, his message on the facing frame.

And, this message was for my birthday. He’d wanted to give me money, so he said, a gesture more formal than anything because he knew I never asked for a penny from my Dad. And, sharp as a tack until well past 90, he wanted me also to know that he knew the gift was coming early this year because he could remember my birthdate without prompting. I was, after all, the first baby he’d ever held as a father.

So, though he cited my birthdate by number, the 26th, he was giving me my money gift this year with the admonition that I “spend it wisely.” This, after first telling me how much he loved me and just how proud he was that he could brag about his only daughter. These were always the first words coming from Dad ….the “I love you” part.

But, the date at the top. The date at the top jumped off the page this time. Though I’d remembered reading it back when he first presented the card to me, the date he’d written his note was never more poignant, more mysterious, more baffling, more heart-rending, nor more inspiring than at this moment: it said, (and, he’d underlined it, too): ” April the 9  Lord’s Day“.

“April the 9” was the day Dad died.

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© Ruth Ann Scanzillo 6/13   All rights – in whole, part, and letter – those of the author, whose story it is, and whose name appears above this line. Thank you for your respect.

littlebarefeetblog.com

GILDA BARSTON – A Tribute.

 

To all the skinny girls, this was a woman “of size”.
Birkenstock sandals held solid feet, the kind that bore the frame of a woman focused entirely outside of the body which carried her. Her movements were slow; her mind, constantly active, always engaged by whomever was nearest to her at any moment. And, that one was almost always a student.
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 It didn’t matter if you were already in the room, or just entering; Gilda Barston was already in the chair. And, once seated, she became who she was: a master teacher.
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 Gilda was a Juilliard trained cellist, a mother, and an educator devoted to the Suzuki philosophy. You didn’t call her Dr. Barston; she’d spent her energies as Chairwoman of the Suzuki Association of the Americas (SAA),  presiding over numerous Board sessions planning and revising the pedagogic literature and, I believe, ultimately founding what I am remembering to be the Music Center of the North Shore in Chicago. I first met her at Ithaca College in the early 90’s where, attending only my second Suzuki Summer Institute, I was lucky enough to be among the teacher trainees in her class.
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 That year, my being a relative newbie, most of the SAA teacher trainees were seasoned, having either attended multiple summer institutes or been established in communities where the Suzuki philosophy enjoyed a thriving presence. And, the institute clinicians were, to my narrowly informed observations, a mix of New England blue bloods, liberal Jews, and lesbians. I was totally outclassed.
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 Up until the year before, I had been a pupil of the traditional studio mentality – averted by endless etudes, practicing the day before my lesson, and squeaking through each weekly session with negligible progress under the stern standard imposed by critique of my every shortcoming. Gilda was different. She actually wanted to know her student.
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 For her, the process was all about recognition. She regarded each of us teacher trainees with the same dedication she gave to her private students. Earnestly and keenly observing – watching, listening – really learning everything about us, she looked for strengths and, when she found them, always told us what they were. And, each of us was as important as the next; there were no stars in her firmament shining any brighter than the rest. But, whenever they shone, she eagerly sang their praises to all around.
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 Gilda was completely selfless. She always drew attention to the needs of the student, and taught by example what it meant to respect each one. Never once did any of us ever hear her talking about anybody in anything but a positive, supportive context; this woman was inherently incapable of spreading anything but good will.
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 I can still see so vividly the smile as she spoke, hear the youthful vitality in her voice, and watch the eye contact that sparked between her and the young player having the lesson. She related to everyone with equal enthusiasm, be they parents, students, or teachers; hers was an agenda of nurture, nothing less. And, the nurture didn’t end when the lesson was over; time after time, I’d follow her out of the room and down the hall and outside toward the dining hall, listening to the continuing conversation she was having with, you guessed it: her student.
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 That summer, I learned so much about myself. In one week, I discovered that I could be both enthusiastic and encouraging, and get results without ever pointing out a single flaw simply by modeling after her. Most importantly, after struggling in the public schools with every aspect of the profession, Gilda made me believe that I could be an effective teacher.
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 Over 20 years have elapsed since that summer yet I cannot count how many times, during private sessions in my studio, she would come to mind. Whenever a particularly successful lesson would unfold, I would always find myself thinking: “I wish Gilda were here, right now. I hope she would be proud of me.” This actually became a recurring fantasy – Gilda Barston, watching me teach. I realized that she had set the standard; in my heart and mind, she was the Queen.
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 Rachel Barton Pine just posted news today that Gilda had passed away. When I saw the words, my heart started. I realized that I had missed my final opportunity. I had missed my chance to express to her my gratitude, for being the beacon in my firmament, the guru of my graces, the all time best, most dedicated professional – the most beloved teacher.
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 Thank you, Gilda. Thank you for recognizing me, for wanting to know me. Thank you for nourishing us all with your remarkable gift for truly loving.
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 Earnestly,
your student, Ruth Ann.
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 © Ruth Ann Scanzillo  6/26/16    All rights those of the author, whose name appears above this line. Thank you for your respect. Please note Gilda Barston’s bio, below:
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 *From the SAA page:  GILDA BARSTON – dean emeritus of the Music Institute of Chicago, artistic director of the Chicago Suzuki Institute, and CEO of the International Suzuki Association. She has served as board chair of both the ISA and SAA. A student of Leonard Rose, Gilda received BS and MS degrees from the Juilliard School of Music. Gilda received a Distinguished Service Award from the SAA for her work with the SAA Cello Committee, and was the recipient of the American Suzuki Institute’s 2005 Suzuki Chair Award. A registered teacher trainer of Suzuki pedagogy, Gilda has taught at institutes and workshops throughout the country and in Canada. She was a faculty member and soloist at the International Suzuki Teachers’ Conference in Matsumoto, Japan, taught at the World Conference in Edmonton, AB, the Pan-Pacific Suzuki Conference in Adelaide, Australia, the Melbourne Autumn Festival and at the Korean Suzuki Association Winter Camps. In 2006 she was an honored guest and faculty member at the 14th Suzuki Method World Convention in Turin, Italy. In 2010 she and her daughter Amy were the guest master class clinicians at the 14th SAA Conference in Minneapolis.

The Greatest.

 

The beauty of Dad’s storied history was all in the mystery. None of us could connect so much as a finger to any of it. The people, we never knew; the places, we’d never been. And, the experiences, well, nobody else could touch.

He talked often of his life as a young ward in the state of Massachusetts, living so briefly in the foster home of Mrs. Bracchi somewhere near Boston. While there, he’d be challenged to fight her big, redheaded sons. The winner would get a hot meal; the loser, a nickel – or, maybe it was the other way around. All Dad knew was, being the runt of a lost litter, he had to muster up some chops in short order.

And, this, apparently, led to some training in boxing.

He’d said he was, what, a welter weight? Only five foot three and a half, without shoes, he had to rely on quickness and agility, and we knew him to have these in abundance. Like a bird on a wire, his would be the very first head to turn at a sound or a sudden move in any room. And, when he’d raise his hand to anyone in defense, his tongue would curl under and get bitten down by his teeth. That’s how we’d know he was serious.

As father to myself and two brothers, he’d listen to the fights on the radio or watch them on the Tv in his barbershop. After Mum died, he’d view them alone, at the house, until well past his 90th birthday. And, while he enjoyed every fight he could find, his all time favorite, the best boxer he’d ever seen, was Cassius Clay. By the time the rest of the world caught on, they called him Muhammad Ali.

Dad, having the charm of a whole cast of clowns all wrapped up in one wiry little body, was captivated by Ali. He loved the quickness, and the moves, and reveled in the sassy, self confident challenge that always burst from Ali’s belly as soon as the mouth guard found its way out. He’d hoot with joy every time the man said anything.

But, Dad’s time stopping moment would come heading south on Ash Street, right before dusk, driving the Catalina home from just another day at the shop making long hair short. Always sharp of eye, he’d noticed a figure emerging from a parked car and looked twice, recognizing both the head and the cut. There, standing on the sidewalk right across from the Polish Falcons, was Muhammad Ali himself.

Ali had been brought in, for a charity event, perhaps to speak at the Sportsmen’s Club or be the special guest at an athletic awards ceremony. Those in attendance select VIP, the rest of our small city would gain its collective satisfaction just knowing the Great One was in town.

But, not Dad. He swerved the car to the curb, jumped out, scrambled for his wallet, selected a tiny, faded scrap of paper, fumbled into his pocket protector for a pen and, unabashedly, bounded right toward his hero.

I don’t remember what was said. Neither, as time passed, would Dad. He’d only known that Ali was gracious and kind, and signed his autograph to that little scrap of paper.

What I do remember was the moment when Dad tore through the back door, rushing the kitchen in exclaiming triumph: ” You’ll NEVAH believe it! I cayun’t hahdly, myself! LOOK! Look what I have, hea-uh!” He was trembling.

After Dad died, his little zippered pouch that carried only his precious things remained in the drawer in my bedroom. In it, he’d kept a handful of silver dollars, a couple rings, and his flat, smooth tan leather wallet. I haven’t looked in that wallet, but I’d bet a shave and a haircut that Muhammad Ali’s autograph is still there. After all, the Greatest, they know their own.

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© Ruth Ann Scanzillo   6/5/16    All rights, in whole, part, participle, and letter, those of the author, whose story it is, and whose name appears above this line. Thank you for your respect.

littlebarefeetblog.com