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Guns: Lapel Pin of the Powerful Elite.

I have a brass lapel pin in the shape of a cello.

In earlier years, the sterling silver eighth note or Treble clef populated these accessories, bestowed by the aspiring or devoted student, and my jewelry box is peppered with several.

( However, I can’t say whether I have ever actually worn any of them. As a working professional, I guess the doing always trumped the wearing; after all, musicians don’t generally feel the need to bear labels. They just show up and play. )

What we pin to our chest is a moniker. It tells the world of affiliation pride. From the American flag to the Masonic cross, so many associations and clubs require them of each member. But, what of such symbolism, and its affect on the subconscious?

Those who “pack” don’t wear theirs on the lapel. But, they might as well.

Because to these, the weapon is a mark.

They are part of the collectors’ culture. Some do use their rifles, to kill game in sport. Others place value on the history of the guncraft, its material detail and design, much as that of the fine wristwatch or other outmoded accoutrement.

To such afficionadi, history is what drives their interest. But, the lines blur here. Historian > politician……….many a retired general, on a visit to the officers’ club, might discuss his latest acquisition with those from whose social circle he or she seeks acknowledgement. Unfortunately, these are those whose power over legislation holds sway, and which has brought us to the scrutiny of the world stage.

Why? Because another “club” has arisen in our society, born and bred in its underbelly, populated by the disenfranchised, remotely located, and easily alienated. The anarchy of assault weapon acquisition is a burgeoning subculture, and poses a palpable threat to our social stability.

In fact, there are more assault weapons available in the United States per capita than anywhere else on earth. And, every time a lone shooter has massacred innocents, from Parkland to Uvalde, the assault weapon has been chosen to accomplish the deed.

The disparity between the culture of the elite collector and that of the stockpiling insurgent must be vanquished. Laws governing ownership are antiquated, and serve only the former while emboldening the latter. Those in leadership must recognize to which group they might belong, and legislate accordingly. And, the time to do so waits for no man, woman, or child.

My cello pin has a tiny, engraved bridge, set of strings, and protruding post known as the endpin. My real cello’s endpin is, when fully extended, almost two feet of sharpened steel, a weapon in itself. I know the difference.

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Copyright 5/29/22 Ruth Ann Scanzillo. All rights those of the author, whose name appears above this line. No copying in whole or part, including translation; sharing permitted via direct blog link, exclusively. No RSSING. Thank you for respecting authenticity.

littlebarefeetblog.com

My Chinese Readers.

Hello.

I’m grateful for any followers of my blog.

Since I have had Chinese music students, in the past, I’m wondering who is following my blog from China. Might you introduce yourselves? I am having trouble ascertaining who from among my followers list is hailing directly from China. Are you also musicians?

Please enter a comment, below this blog entry, so that I know your name(s).

Thank you!

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© 11/19/2020 Ruth Ann Scanzillo.

littlebarefeetblog.com

One Dry Sabbath.

 

Well, goodness.

How were we to know that being panned for an entire Saturday in late summer would render this self – involved blogger intensely concerned that she had offended, what, an entire following collective with just one, indirect reference to a specific national heritage*?

Having toyed with taking a more brazen stance, I’d opted instead for a sort of meandering through device and subtlety, just seeing where one word would direct the next. My intentions were almost too much, even for me to face; addressing the whole thing under veil of inference was somehow safer.

So much for safe. Haven’t we been preoccupied by safe, for the better part of the last fifteen years?

I mean, I could have done the simple thing. I could have said that I’d seen a boy again whom I’d adored from a distance at a tender phase of life, a boy who, in genuine appreciation for my having jumped to the Coda precisely when he did, went the extra step and had a bouquet of flowers delivered to his accompanist’s door.

But, that would have been just too naked.

I couldn’t expose a man who’d attended an Ivy league school, been married for years, sired three sons, established a successful professional practice, and then returned home to say goodbye to his father. Rather, waxing on and off and on again about his character, and how it was sourced, with bits about how much I honored him for everything his gesture represented at a time when I couldn’t have known how pivotal such an act would be to me in my own life? That seemed almost worthy.

So, yeah.

I saw a boy again. And, it was nice. And, I wanted it to mean something. But, of course, it could only mean what it was. Just a nice little chat, at his father’s wake. Not some treatise on the comparative theological value of Judaism. Not the apologist’s view of the Jewish character from a Gentile-based mentality. No study of social construct; no mask for ulterior motivation. Just a little visit, with the boy who played Sabre Dance on the xylophone in 1974.

Call me some kind of bigot; I really have no defense. I do not know the meaning of “Anti-Semitism.” If you think you do, then by all means, judge me and cast me off.

Otherwise, have a nice, dry Sabbath evening.

L’chaim.

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*Twelve Pink Carnations.

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© Ruth Ann Scanzillo  8/6/16  All rights those of the Gentile girl who wrote the piece, whose story it is, and whose name appears above this line.  Thank you for your mercy.

littlebarefeetblog.com